Chaucer’s Wives Come Knocking

I first read the stories of the Wife of Bath and Patient Griselda[1] when I was sixteen, at the American School in London. I was there for a year while my father was on a sabbatical. He got a grant to leave his job in the Oncology unit at Kaiser Permanente Sunset in order to study new treatments for breast cancer at Guy’s Hospital. My mother sold our family home, the house in Los Angeles they bought for a song and traded in for what seemed like a fortune, wrangling places for me and my siblings at an American private school in St. John’s Wood. We settled into a series of short-term lets, and my sister, brother, and myself were set free as only carpooled children could be discovering a city with a safe public transportation system. My mother also felt loosened from the tight bonds of her role as wife and mother. She had been a second-generation Greek daughter of mountain peasants who fought against the expectations of her immigrant community to find her voice as a journalist and editor in Manhattan in the late 1950s. Then in 1962, she fell for my doctor father and followed him when he got a job in California. Having children, living in the infinite suburb of LA, she often loudly complained that her life in the desert city was a kind of death, a disappearing off the face of the earth. London was a chance for her to remake herself. She told me later she had no intention of ever going back, although that is not how things turned out. It was 1979, and like many other women, she was enjoying a new sense of freedom. She joined an amateur drama class and picked up a younger gay best friend. She met a lot of interesting bohemian Londoners who were also interested in her.

One of them was my English teacher, Don Jesse. We were encouraged to call him that, first and last, transforming the “Don” into an honorific, like Don Quixote or Don Juan. Don Jesse had grown up in Boston, the son of an immigrant Dutch maid and the princeling heir of her wealthy Jewish employers. At least that was the story. He was a self-invented character, bald and stocky with a rasping, deep laugh and a love of the tall tale. After a brief marriage to a Rothschild, he became an itinerant teacher, travelling the globe and landing in London where he lived for most of his life with a gentle-hearted man from Wales who could sew quilts and fix an engine. When it was time to teach us Chaucer, Don Jesse showed up wearing full courtly Medieval writer’s gear, complete with a sweeping velvet hat and wine-colored stockings. He made us memorize and recite the opening lines in the original:  

  Whan that Aprille with his shoures sote
  the drocht of March hath perced to the rote
  and bathed every holt and heath in swicht liqueur
  of which vertu engendered is the fleur

The sound of the words rolled off his tongue and rumbled in our mouths with a satisfying, pebbly foreign sensation, close to familiar but far enough away to pull us along, and the images leaped into our minds. For the first time as a native Californian, I had lived through winter, and understood the drought of March, how worn down you could become by the sere, bare brownish grey, and the idea of sweet showers coming and piercing the earth, the way flowers suddenly crowded onto verges and front gardens: daffodils, tulips, lilacs; I loved it.

We read the tales; we had to write our own. I was drawn to the Wife of Bath, but at the same time, she embarrassed me, like my own mother did at sixteen. She seemed a comical character, played for laughs: a Lucille Ball broad, her young lover climbing the wall, her old rich husband, her appetites, her humiliating spillage. What did she have to be so boisterous about, I thought, furiously. She was fat and out of control, and it was easy to make fun of her. I wrote a mocking modern tale about a loud-mouthed woman in Los Angeles who sold real estate, like my mother did at the time. I got a good grade, and I proudly shared it with her. God forgive me.

The other character who really drew my attention was Patient Griselda. She seemed extreme in her masochistic acceptance of her fate, and yet venerated, there in the pages of the Clerk’s Tale. The peasant girl who got chosen by a powerful lord: a story as old as Cinderella. But after becoming a wife, Griselda was far from secure. She had one baby after another taken away, and still, she embodied fatalism and meek acceptance. Then the final twist: getting thrown out from her husband’s bed to the kitchens, while he told her he was marrying a younger, better version, a story I knew well enough from growing up in divorce-prone, self-discovery California of the 1970’s. After all that pain, Griselda achieved her reward: status, children, husband handed back on a platter. She was a model woman, held up in the pages of Medieval Literature to shine for all time. Old as it was, Griselda’s story circled like an electric fence around the idea of what waited for me in adult womanhood. There was something about Griselda that felt like fate. She horrified me, and she made me feel ashamed—not only of her, but of myself.  I understood already that part of being a woman was going to mean never feeling good enough.

It was about mid-way through the early child-rearing years that I started to hear the voice of Griselda in my head. I was living in London, yet again, having moved back across the Atlantic to marry a young British philosophy student I fell for in graduate school. By the time we started raising our family, I was a full-time writing teacher at a small American university in charge of two departments, publishing poetry and fiction, and felt secure and strong in my voice, as far from my mother and her fate, as far from Patient Griselda as I could get. With the birth of my second child, I stopped teaching “to give myself more time to write,” and soon I had stopped doing that, too. Years went by in the world of women and children, and I lost the thread to my former self. I felt delirious with love for my children, but also bereft and lost at times, living exactly the constrained, care-taking life my mother had so railed against.

During those sandbox years, Griselda’s voice insisted on my attention. She wanted to explain what it was really like, being picked out of the crowd by a handsome man on horseback, leaving her father’s cottage and moving into a distant castle, how her husband would go out into the wars of his times and slaughter other men as if fearlessly, and come back, drained and mud-caked, and how in the secret sanctuary of their marriage bed, he tossed and turned, woke up anxious, drenched in sweat, and how she tried to find a way to help him, to get him to pay attention to their children, to the life they were bringing into the world together. He did not trust her, and he started to find a way to test her, not believing she could really be as loyal as she seemed. I imagined what it must have been like for her to lose first her daughter, and then her son, the loneliness she must have felt, alone in her tower. She explained how even after that same man asked her to make way for a better wife, to leave their home and go down into the depths with all the other servants, she took up the dough between her hands and wrapped the scarf around her head and got to work. In the story, her final loyalty test involves her coming out with all the other servants to stand at the back of the chapel and watch her ex-husband get married to his new, young bride. Then a scene reminiscent of the Oscars; she is pulled forward, given her reward at last for having passed the tests he set: here was her daughter, here her son, here the warm embrace of family, husband waiting to place the crown back on her worthy head, his queen.

Why did Griselda rise up in me, insisting on her poem? Voiceless women in history and mythology have always drawn me. My first novel included re-imaginings of Greek myths from a woman’s point of view. Sometimes an imagined figure would start to speak, and I would follow her voice into myself. Ariadne, Persephone, Medea, Eve: all have visited me at times.

My husband was no cruel overlord. He was a sensitive and devoted father, who was a cheerleader for my work, my voice. We were equal in power, and before we had children, we promised each other we would remain so. Economics had pushed us into traditional roles. Motherhood felt messy and self-immolating. From the moment I started breastfeeding, I became as much liquid as solid. For years, I would travel with a change of clothes for three because both my children were prone to motion sickness, and one or all of us were liable to end any journey covered in vomit. Like many formerly cerebral mothers, I felt as if I were constantly fighting against a tide of rising chaos to find a few moments of quiet in my head, and I think I both embraced and resented my abject position. Maybe Griselda spoke to me about how I longed for the moment my sacrifice would be recognized for the marathon-level physical feat it really was, for some kind of medallion or trophy or even just a thank you. My husband, who was working hard, really hard, and had his own stress, sometimes seemed like the unwitting setter of tests I had to pass, tests that were about the loss of things that had once been precious: my work, my status, my girlhood, my girlfriends, my will, my voice.

When I think of those years, I seem to see Griselda all around me, in the women of my generation: not just in the mirror but also at the gym, at the school gates, in the culture. I remember one frail-looking woman I knew, a mother of four. She boasted that none of her children had ever eaten a store-bought biscuit or cake. Everything was baked with her own two hands, and her kids were enviably clear-skinned, kind, and energetic. She had been a senior nurse in a busy hospital but gave it up to raise a family with her salaried husband. One morning, she invited the class mothers over to tea. She dressed plainly, in smock-like dresses with no make-up, but her table was lavish: covered with multi-colored homemade cakes, biscuits, and pies we eyed up as if they were a field of mines. In those days, it seemed to me we were always bringing each other sweets we never ate. We were soldiers in a war whose rules we did not invent, willing to cut off our own arms to make sure we remained among the chosen, running businesses, running families, running in marathons while subsisting on pieces of watermelon. Many women I knew were half-recovered anorexics, still hooked on the habit of self-abnegation begun in high school. I wanted us to discover our strength, but all I saw were women putting themselves away. Griselda’s poem revealed that under her meekness was a fierce rage, a compressed and deeply packed away energy.

~

My mother used to say that Margaret Mead advised every woman to have three marriages: the first for love, the sexual attraction that helps you leave your family of origin; the second for co-habitation, to raise children; and the third for companionship. She claimed to have had all those marriages, but with the same husband. Probably around the third marriage with the man I have been with since I was 26, I began to think again about the Wife of Bath. Our two children were more or less grown; we had started to have noisy sex in the empty house. My newly discovered invisibility as an older woman felt liberating. I stopped dyeing my hair. I started to notice older women on the street, how beautiful they were, how settled into their bodies, how they carried their own weight with pride. At work, all the people who got things done seemed to be women of a certain age. I was looking forward to what the third or even fourth marriage with my husband might bring.

But all was not well with the wider world, I had not failed to notice. The two countries in which I held citizenship, the UK and the US, were in the grips of a kind of deadly return of the Griselda story: it was not just women, but the entire system of mutual care-giving, the rule of law, our ecological well-being, education—being pushed out of the bed of the heartless overlords of the new far-right. The years following 2016, the pink hat years you might call them, brought me back into an anxious engagement with politics, and maybe I needed to find a model from the start of capitalism in the West who seemed to stand up fearlessly in a full-throated voice, an archetype from Chaucer waiting all along. As I started to write a poem in her voice, I found I was not the only one who felt the Wife knocking on her inner door. I came across a new book about her as an enduring cultural character. According to the writer, we had misunderstood the ups and downs of women’s history. The Wife came from an era when English women were surprisingly empowered. It’s there in her lines: a businesswoman, a cloth trader, a traveler across Europe who fights the husband who tries to diminish her. Shakespeare’s Merry Wives of Windsor were a tribute to her. But soon afterwards, she slipped into the rising misogyny of the age of Enlightenment and colonialism. She became a hate figure, shunned and despised, feared and mocked. Up to the 1970s, you could find a version of her on an art house film poster, laid out as a frightening mass of rolling human flesh ready to swallow up the tiny male pilgrims who surround her. Recently, she has been given a new life—particularly by Black British women; she is the subject of extended poems and a play by Zadie Smith in which she is the absolute star.

Just as with Griselda, I started to see the Wife of Bath everywhere. She was marching beside me, holding a witty sign about the crimes of Boris Johnson. She was being interviewed on a TV program called Planet Sex in the body of a curvy, honeyed woman with silvery locs, talking about Tantric kissing between two adoring bear-like lovers: husband and boyfriend. On a train trip to Newcastle to visit my daughter, she was the voice in my ear of Iris De Menthe singing about “workin’ on a world” of a future we might never see; when my daughter and I went out for cocktails, I felt as if she were in the streets with her friends, wearing a tight tiger-striped dress over her enormous breasts, thighs as wide as the Tyne, gap-toothed, head thrown back, having the time of her life.

My poem about her though, was a bit stuck, until I put her into conversation with Griselda. Then it was hard to shut her up. She was the one who pointed out to me the way the two women were linked through time; they were two sides of a coin, two versions of being a woman, tamed and free—or so I thought. It was great to get rid of the rigidly formed Griselda and open myself up to the free-verse lines of the Wife of Bath. What value could meek Griselda have now in our fight to make the world safe for future generations? Even Margaret Atwood, published a story around this time in the New York Times: Impatient Griselda.

Then I took my poems and my commentary to my writing group.

“What about Griselda?” they asked me. “Have you short-changed her? Doesn’t she have anything else to say?”

Griselda! No way, I thought, I am well and truly finished with Griselda.

But sometimes criticism can open a new door, raise a question you did not know you had. When I got home to my own kitchen, as I made dinner and folded laundry, her voice in my head started speaking, and what she said truly surprised me.

Griselda asked me to consider if there was another role for her, beyond the Wife of Bath and her beautiful self-assertion. What did I think was going to move us forward into a better future if not some kind of enormous sacrifice of wants and desires, a tremendous act of care-giving, for each other, for the planet? She pointed out that she was there, during the Pandemic, when the economic engine of the world had shut down—she was making PPE in her kitchen for the nurses, stocking the supermarket shelves, picking up trash. The fight for the future Iris sang about was beyond gender, politics, or economics. It was something much bigger, what bell hooks calls an ethos of love[2]. When I hated myself for giving up my “real work” to look after my children when they were young, what was I telling myself about my own values? I painted Griselda as angry and energetic as a counter to a world that would have turned her into a doormat, stepping right over her in their getting and spending. I was so impressed by the Wife of Bath when I discovered she was a successful cloth trader and partner to five men, but Griselda might turn out to be a true revolutionary.

 ~

Griselda Speaks to the Wife of Bath

You were always on another page: a voice,
a threat, a joke, a bawd, a kind of girth:
gap-toothed, unbordered, queen of choice.
I was modesty herself, in needs, size, birth.

My one husband my entire tale: a Duke.
We had two kids, each lost in turn: a son,
daughter, ripped from my roots. Not a word
slipped from my lips. I never came undone.

Cast off to the kitchen, I kneaded sweet bread
for his new wedding and bride. Unprotesting,
pulled from the crowd, I bent my head down:
To find reward! Children grown; crown restored,

fame gained. To you alone I can boast my pride:
My coal heart was crushed to a diamond inside.

The Wife of Bath Explains a Thing or Two

Griselda, a sonnet! Why did you even try? It only makes things worse.
Loosen up your girdle and enjoy free verse—the lines should fit you,
not the other way around, no need to squeeze into some rule book,
cooked up by men to sing to their imaginary loves, who I am sure,
were well and truly sick of hearing their plaints: Beatrice, the Dark Lady—
give her a break and let her get on with unstrapping that old bra: idol,
pedestal. Climb right on down here. I felt for you, honey, all along—
so thin and wan, so mild and good. You never asked to be a prize,
a pawn in some man’s sick game of catch and release. He had it all,
and a great big hole inside, besides, and you don’t have to tell me:
golden toilet, golden tower, golden you at the top, it’s never enough!
He’s still around, sending his rockets to Mars, probing the oceans,
just like he plumbed his wife—the ultimate boundless mystery, right?
Now you’ve reached across the aisle after 600 years, and guess what?
We’re teamed up as ever! Chaucer gave me the most lines, but for ages,
you won first prize: Angel in the House, Madonna, Sacrifice. While I,
you’re right, remained the butt of laddish jokes, fat, loud, or worse,
hated and feared for my lusts, a figure of fun or the cunt with a bite,
held to account for my unruly appetite. Finally, the time’s come ripe
for us to muscle out the middleman, spill truths, grab the spotlight.
Personally, I knew you were more than you appeared. The self-denied
hold their own power: it’s modesty’s dark side. You were never
as simple as the tale told, good girl driven to distraction: dieting,
decluttering, working hard for your reward. A wife! Tricky business,
we both get that. I had five goes, and would have more. I salute you.
That Duke of yours, I bet you wiped his sweat at night, his psychic
sores. Under his great carapace, a trembling boy holding a sword.
He thought you might be keeping score. He had to lock you up, tight
knot we’ve all felt closing round our throats like prison walls.
Now you’ve busted out and want to talk, I’m here to cheer you on.
Let’s stop competing in a stupid game with rules we did not write:
chosen or mocked, virgin or whore, not enough or way too much.
This heartbroken old earth needs new songs and now’s our chance:
I’m an optimistic seller of new cloth, barging the barriers, my voice
getting louder and louder (and dear Griselda, welcome to yours.)
I hope a more ample table waits down the road for our hungry love.

Griselda Writes Back After a Long Time

Yes, my dear, a diamond is a hard rock.
Also, a form of light made out of dark.

You trussed me up in twelve tight lines,
but imagination is a wilder sort of ride.

Everything dies. People, ideas, sun, planet.
The self, however strong, will not save us.

Do you ever wonder if the universe may
be a woman breathing matter in and out,

here, not here, mothering and worrying,
coaxing out a bit more love each round?

Of course, I know you do. You worry so,
if that’s not too light a word—autocracy,

plutocracy, insect-empty fields and floods,
you long for some other story, a way out.

Maybe I can help. Self-sacrifice scares us;
it’s the role woman represents that we hate.

In a grabbing world, we show another way,
putting aside ourselves to make a path

for the generative future we call children:
not just womb, but some potential in us all.

As my friend, Sister Julian, promised, all
will be well and all manner of things well.

Thanks for the chance to stretch my legs.
You might not have seen me otherwise:

sewing PPE with other mothers, collecting
rubbish, emptying bedpans, shelving stock.

I hope you visit me again, visit with us both,
in the timeless where we are. The future’s yours.

[1] Marion Turner, The Wife of Bath: a Biography. Princeton University Press, January 17, 2023. 

[2] bell hooks, All About Love: New Visions. William Morrow Paperbacks, January 30, 2025.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Sweet

We're proud to feature this poem from Christina Hauck’s chapbook An Angel and Other Poems, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

I cut my hair short as a boy’s and lounged
by the river with other naked women,
all of us laughing and talking with hands
and with mouths, wading in and out of the water,

shining. Your eyes took me in. I sifted,
sand through my fingers, soft and warm.
You peeled a mango, slipped dripping slices
between my lips, tasted sweet strangeness

on my chin. O sweet the days we played
by the river and sweet the nights in your room,
mornings when don’t go you’d unbutton
my blouse, gather me in.

The day you showed up late wearing leather,
chain-smoking unfiltered Camels, I guessed
what you would say hours before you would say it,
your tongue loving the sound of her name: Elizabeth.

Elizabeth. Same as my grandmother.
I cried a little, driving home across the bridge.
I remember you wore a red beret and I was always so
impatient at your before-the-mirror adjustments

sometimes taking minutes. Sweet, sweeter
than anise, I remember your lower lip caught
between your teeth as you rose from the river
silver streams of water pouring from your hair.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

She Replants

The family tree is gnarled and warped. Witch’s bony
knuckles and fingers sprouting from a dark corner of the earth.
It hangs like a curse and blights the lonely apple that grows,
hiding. A thin branch reluctantly bows to its weight.

The disgruntled farmer marches toward, callused fingers
gripping an axe. A ruling by nature’s court would have
taken longer. As the bit kisses wood, neighboring foliage pockets
stray echoes—as if the tree never stood. For a moment,
even nature forgets its impartiality, wishing it good riddance.

Striking ground, leaves quake and abandon loyal dew drops,
while the tart apple tumbles away unceremoniously, catching bruises.
The apple finds final refuge not too far from the felled tree:
chopped wood hauled away after an inconclusive autopsy—
why that tree grew diseased and wicked, neither the apple nor the farmer
knows. Perhaps it was simply impartiality. The apple finally begins to rest
and somehow, it does not rot until the very end. Its secret is peace.
Though nature would never acknowledge it.

With graceful decay, the elements accept the sunken
apple’s sacrifice as offering. The cost to plant roots paid in full,
its seeds are blessed. They lay dormant, mourning.
At the turn of the season, they shed their coats of hesitation
and begin ascent. In old age, the deer, hawks, and ravens
finally bear witness to an anchored palace ornamented
in abundance with sweet rubies basking in the sunlight.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Moon (as translated from the Hebrew of Nathan Alterman)

Even an old landscape has a moment of its birth.
The strange, impregnable
And birdless skies.
Under your window, moonlit on the earth,
Your city bathes in cricket-cries.

But when you see the path still looks afar
To wanderers, and the moon
Rests on a cypress spear,
You ask in wonder, “Lord! Are all of these still here?
Can I not ask in whispers how they are?”

The waters look at us from their lagoons.
The tree in red of earrings
Stays a silent tree.
Never, my God, shall Thy huge playthings’ sorrow
Be rooted out of me.

Original Hebrew text of “Moon” by Nathan Alterman

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Halcyon

They slept in knit caps in the farmhouse. Sweaters and long johns and anything flannel. Saw their breaths when they got up February mornings, even with radiators gurgling and clanging. They didn’t care. Quietly reveled in it, in fact, since the rusticity, or whatever, sure seemed part and parcel with the thing seizing their lives, lifting their proverbial boats like the wind lifted those bald eagles they watched amazed from the tilted front stoop, soaring over the stubbly cornfields across the road. Her short stories were getting published left and right. So many there was talk she’d need an agent for her first book. Tim’s numbers-theory articles were landing in journals unchaperoned grad students weren’t supposed to be in. Grants and scholarships out the wazoo. Both of them. They kept startling their profs, who, though they taught at really a very good school, didn’t expect to have TAs gunning for their own jobs. And it scared them at first. Not the success, which seemed, in its way, right and proper, if not full-on promised. The farmhouse. With its scabby-red-paint iron roofs. Its turbid-water-vomiting backyard pump. Its creaky, perilously winding staircases. Yet the house had gotten it done. Cockeyed their lives sufficiently to let the success pour in. Country life. The left-field surprise of it. Even if they did still shop at SuperFresh. Even if the old rustbelt city was right there, other side of the “mountain.” Because had anyone told two-years-ago her she’d be planting zucchini. Going to class makeup-less, freckles flying. In threadbare OshKosh overalls from Goodwill. That Tim would grow that scraggly beard, so strange on so gentle and—okay—feminine a soul. And she did know it was obnoxious, maybe, the place’s becoming hangout du jour for both their departments, stealing social thunder from certain untenured faculty, one of them, Rachel O_____, her thesis director, fresh from a program so huge you trembled just hearing its name. Every weekend, by their second spring there, people crowding the yard. Girls (women) lounging in dilapidated lawn chairs under the big elm, under the soulfully glowing Japanese lanterns she’d hung. Boys (boys) strumming guitars, throwing frisbees, arguing Scorsese vs. Kubrick, Chomsky vs. Foucault. People’s dogs romping in the sunflower patch. Everyone drinking. Everyone. All the time. Crashing overnight, as necessary, on the grungy old futon in what it amused them—as it had perhaps amused those getting hammered in it a century before—to call the parlor. Odd interdepartmental hookups. Clouds of patchouli and pheromones drifting over the unmowed, unfenced backyard on summer nights. Scenes seeming, with enough wine, weirdly meaningful, Whitmanesque, every glistening bicep, every un-bra-restrained nipple an expression of the universe’s urge, urge, urge. Cheap shiraz and ice cream made her the teensiest bit chubby and now even girls were hitting on her. Women. Not that she and Farmer Tim weren’t off the proverbial menu. But still. Halcyon. All of it. Until, at least, their third summer there. When their guests, or whatever, suddenly started sitting around staring at those wretched, wretched devices. Caveman-typing with their thumbs. Deploying idiot hieroglyphs to express whichever of three corporate-sanctioned emotions. Morphing themselves, out of some perverse-unto-satanic impulse, into screenbound advertising campaigns for themselves to be consumed by the same people in whose physical company they sat. She could not get her head around it. Couldn’t believe the whole world was poised, at the very moment it was blooming for her, to vanish up its own digital ass. How did she compete with vacation porn, fancy-drinks porn, home-decor porn? Porn porn? How did you write for people craving a nonstop dopamine drip of GIFs and memes? The violence with which her soul, or whatever, rejected it helped explain, maybe, why she let an inebriated Rachel O_____ lap at her mouth and feel her up one August night in the shabby Formica kitchen, a half-dozen highly entertained guests in witness. Compelled, finally, to pay attention to something other than their goddamn iPhones. A reassertion, call it, of the primacy of the real. Unsurprisingly, it was the beginning of the end. Rachel O_____ abruptly quit speaking to her—about anything, anyway, other than the thesis. It wounded her out of all proportion. Probably because she’d never had so pedigreed a friend and an Olympus dweller’s rejection augured nothing good where her own heights-scaling ambitions were concerned. Tim, for his part, pitched no mortified-partner fit. Did, however, seize an opportunity to tearfully confess he was hot for an infuriatingly beautiful undergrad boy—a senior, but still, for Christ’s sake—who sang Jeff Buckley songs like some sort of fucking angel and had over a thousand Facebook “friends.” She wanted to tell him this was not who he was, only it was tough arguing with anything as moronically honest as a hard-on. Circa that fall semester’s start, it occurred to her she hadn’t seen an acceptance in months. That her new stories were insipid. That the raves Rachel O_____ kept scrawling on them were disingenuous or mean or both. That her father was right about her “career choice.” Glancing out the farmhouse’s bedroom window one November morning she discovered a different sort of party happening: buzzards feasting on a car-struck deer gone down in the veggie garden, one standing priestly atop the exposed ribcage, wings outstretched. All those soaring eagles were doing was corralling terrified rodents. After she and Tim split up and vacated the farmhouse—a mere rental, for all their fondness—she took a medical-tech-writing job in Chicago. Which moved her, after a few years, to Atlanta. Which moved her, a few years after that, to D.C. She kept waiting to meet the person—dude, chick, whatever—she’d fall for the same way she’d fallen for Tim. In some state park it would happen. At some gallery. At a work friend’s kid’s graduation party. Kept waiting, too, for the not-just-want-but-need to write to come back. Thought she felt, every so often, her old muse tugging her wrist, then found, sitting down with the legal pad, it was just the ghost of Jackie Collins. Such a long road back it would be. To writing. With ever more years passing. Outrageous, time’s breathless gallop. She often thought of Tim. Teaching pure mathematics, whatever that was, at UC Riverside. Still bearded, she saw online. Married to some younger man. She thought, too—usually while staring out her condo’s dining-room window at a sunset mirrored in the twin high-rise’s glassy façade—about the farmhouse. Permitted herself, finally, to hunt for it in Google Maps. Discovered, dropping down to street view, a McMansion enclave on the ancient beanfield where it had stood. That adorable, scary little house. She’d been harboring, she realized, some vague plan to go see it again. To stop the Volvo on the road out front, mount the tilted stoop. Summon, if possible, the courage to knock. That same night she dreamed what she thought, startled awake, was a memory. Was it? Of the time a Jesus Christ-grade racket woke her in the dead of night. Emanating from atop the ceiling atop Tim’s and her bed. Something murdering something. Farmer Tim unrousable. Post-party fumy. For some reason the power was out. She bumbled downstairs, hand on plaster wall so she didn’t slip and break her neck on that insane staircase. Knocked over God knows how many empty beer bottles in the kitchen, groping around the counter for the flashlight. Which, happed upon, actually worked. Sort of. She headed back upstairs, stepping over places she knew jutting nailheads to be. Opened, on the second-floor landing, the creaky door to the attic staircase. “Tim!” she hollered. Got only a rumble of thunder for an answer. That and more slapping, thwacking, screeching racket from up above. She started climbing, free hand on the steep, dusty stairs in front of her. Air getting warmer and closer and warmer. Holy hell, she was brave back then. Heat lightning throbbed in a dormer window. Her head cleared the tops of the floorboards and she twisted in place, naked feet braced on two different steps. Aimed the fast-dimming flashlight beam into the attic’s nether regions. Stood transfixed by the pair of bright red eyes glaring back at her from deep inside all that dark.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

[a go phone shivers something important past outdoor seating pints and appetizers]

a go phone shivers something important past outdoor seating pints and appetizers
while the quiet trumpet flower springs bright jazz with a deep throated calico reach
like schoolyard entropy with a slow universe heat death blasted from lily depths
I manage curb horse rings with small plastic horses tethered to a rediscovered history
where there is witness to a dead cigar butt still available to cartoon tramps
we recognize faces as human just as squirrel recognizes squirrel scampering away
in the wet purple dawn berries begin the hard work of turning color
with a quick sweet peep across car tops we question the Palm Springs of Washington
to jokingly shit on a small town we drive through buried in a fruit tree basin
not the airport locker return in a new city hauling clothes books and sleeping bag
avoiding gnat clouds and mosquito gatherings with continuous movement
a momentary raspberry can be plucked crushed and rolled for the juice pockets
reminding a thick blanket nap symbol across couch cushions
and a morning pigeon litany praying for seed and air in both cloud and sun
as the flowers stream brighter with a particular court conviction
celebrated with a book warehouse sale rush to add to shelves and stacks
saying

the act of writing about writing is the act of writing

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Still Wondering if You Made It

We're proud to feature this poem from Jed Myers’ chapbook Our Use of the Stars, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

I’ve been able to miss you, without knowing     
if your silence began at the grille of a truck    
on a state route at dusk, or with a secret               
decision, or in sudden sickness I’d never learn        
the first thing about, but about the first thing
you told me—you were already in love 
with the bristlecone pines. Their twisted praise
clawing the sky, agonized and ecstatic
in their spare clusters and pairs, catatonic 
manics in wait for the rapture they look like
they’re in. You’d need to go stand among them
you said. And though it took tearing your roots
from the sea-level riverbanks where we lived—
though it meant never seeing your wish
for us to wrinkle up slow into faithful twin 
writhings on our slope of years—you did, 
on one forgettable argument’s thrust, set out 
for Utah I guess, to walk up the ridge
where you hoped you’d find them, bare ancient 
wood warped and gouged and goldened 
in the late light, alive. They’d stand by you,
silent but for wind brushing their skin—
presences surer than this one who misses you
and still imagines the horn-blast, the brights

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Shutdown.log

if (soul == None):
 log("disconnection detected");
 backup("last known version of me");

if (heartbeat.variation < 0.01):
 run("old songs");
 try:
  trigger("feeling");
 except:
  pass

if (voice == empty):
 load("your messages.txt");
 loop:
  hear("you saying goodbye");

if (system == unstable):
 restart();
 load("quiet");

if (presence == ghost):
 print("I loved you");
 shutdown("gently");

Instructions for leaving.
When there’s no one left.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Parietal Operculum

We're proud to feature this poem from Kristyn Snedden’s chapbook Urchin to My Shell, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

       Lessons from my husband’s neurologist

I listened while he unfolded every millimeter
of the cortex that cuddles up to the insula,
all that integration. His voice was driftwood

full of holes and swirls. Simon Lacey says the parietal
operculum is where we sense texture through touch,
even if all we do is read it somewhere, our brains

light up on the machine. Someone said your skin
is like velvet, which produced only a worn out
glimmer in the region, but when I touched

you I was myself full of ocean nettles, scalpels
and scythe, yellow and deep rose, forest green.
I was a wilderness captured by the dune,

waves ran over me in the sea of you
and no thought lingered, just the colors
and touch of mossy dark, the taste of brine.

Adrift in that damp sea, that gentle tide,
every minute as sweet as the sting
of the Atalla jellyfish, as bright as a supernova.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Ars Poetica with Amateur Tarot

We’re proud to feature this poem from M. Ezra Zhang’s chapbook Self-Portrait with LSD and Mirror, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

While my lover the tarot reader is comatose
in the bedroom after a night of talking to a god
I could not taste or touch, I scatter
the cards across the living
room like spores
into darkness. Yesterday
under the domination of that god, my face
thrummed in my hands as if
I were wielding a bucket of light. Recoiling from its glare
I was disgusted to find that it followed
me everywhere.

Knowing nothing
about divination I pull three cards:
the moon, the tower, the devil.
If you, like me, don’t know the interior of these
cards, I beg you not to look for them.
It will only make things worse. Look at me
instead while I tell you something true:

One night you are moving
under the hot wet animal of the moon.
You coil upwards a couple hundred
spells until the horizon drowns into the earth
and abandons. At the eye of the tower you become the
eye of the tower. The black grass from below
swells heavenward and then you
become that darkness too.

Today on earth, the living
room window transfixes me
for hours but I find no tranquility in the scene
of the people of the world arriving
at where they need to be.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

an “i want” poem about hilarious masochism

to get sunburnt
   on the scalp & the top of the shoulders
              where it freckles after the second burn
   & that sun burns the sand too & it grinds between heel & flip flop
      until, sandals abandoned,  cold salt waves engulf     ankles & up

to miss the step
   the one to the garage & shins collide with wooden doorframe
                  dad curses, shit, you startled me,   stop running
              so damn fast through the yard
      & for some reason it’s funny to feel the cool cement of the garage against
                      those knobby knocking skinny knees
         & each bruise evidence excitement & dad
                  cared enough to cuss

to crash the bike   
   milli—micro—nano seconds before it hits annie       & both challenger & chicken
                      fall into the grass  bruising on dirt
           blushing under sun &   adrenaline   &  full-stop stupid
       & the bike hits the telephone pole before it cruises into the street
     & two girls now have grass stains up their (one pale, one olive) forearms slight
                           & bug-bitten & tree bark-carved
       & everything is laughing, the summer,  the sun,   the breeze,
       & annie gets the bike & starts up the hill for her turn to come down again

to crawl back in the window
     dictionary under armpit &     shingle pieces   breaking palm skin
           soft landing on the twin bed where the cat tilts his head
                             at crickets   under the sill
        & the ribs have burned   & burned   from summer’s insufferable
                         way of causing laughter
             & the sun is pulling its linen blanket    over its head now
             & the power is still out   & the Nintendo DS died two
                         hours ago &  the bookmark sits at R
                                in the dictionary: raucous, rabid,
                                   rampart,    rapeseed,
            & being bored is worse than bruising or burning
                   because it leaves the fewest marks

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Are You the One?

It was just before Christmas and the loop of carols played over the loudspeaker in the Mobile, Alabama airport. I had spent the day landing a client. My cheeks hurt from the smile I wore sitting across from him, side-eyeing the Auburn University Tigers football helmet, which served as the base for his desk lamp. My client’s office was decorated with photographs of him shaking hands with politicians including then President Jimmy Carter. On the wall was his university diploma, class of 1959. Doing the math, he was about ten years older than me. At thirty, I was a senior vice president of the mortgage banking firm I worked for. Seven years of hard labor traveling around the country over holidays and long weekends.

I listened attentively as my client shared his financial problems and addressed each one of them. And then I made the ask and waited. Silence. I glanced at my watch hoping that I wouldn’t miss my connecting flight. Bingo.

He leaned across his desk and shook my hand longer than was necessary. “We have a deal, Little Lady.”

I imagined myself picking up that lamp and throwing it at him for calling me “Little Lady.” I was hardly a Little Lady, standing 5 foot 7 inches in my bare feet. I thanked him for the confidence he had placed in us and told him I’d send a letter of engagement as soon as I was back in my office in Boston.

“I’ll look forward to hearing from you,” he said and shook my hand a moment longer than necessary. Was he flirting with me or was that just my imagination? He was hardly my type with his stomach hanging over his belt, his hair slicked back with too much pomade, and the cigar he pulled on during our meeting. He was much too old for me and geographically undesirable.

Why do unattractive men think every woman is fair game?

I should have been happy that my sales trip was a success, but I had done this one too many times. I missed my toddler son. I was tired of flying around the country, and I was still recovering from a messy divorce. Are there any other kinds (other than Gwyneth Paltrow style conscious uncouplings)? I often thought about quitting, but I needed the income. My ex couldn’t or wouldn’t pay me alimony, so it was up to me to keep a roof over our heads.

The Mobile airport was filled with passersby carrying shopping bags rushing to their gates to board flights or greet disembarking passengers. Men smiled at me as I walked through the terminal. Swinging my briefcase, I must have looked out of place, a “Little Lady” in a gray and white lynx fur coat.

I confirmed my reservation, filled out my company flight coupon, and gave it to the Eastern Airlines gate attendant. The short flight from Mobile to Atlanta was uneventful. We landed on time. I looked out the window as I climbed up the ramp; snowflakes were falling dusting the runways. I had never heard that there was snow in Atlanta. Waiting for my connecting flight to Boston, I settled into a seat in the Red Carpet lounge for frequent flyers of Eastern Airlines. Someone sat down in the empty seat next to me. I was reading a novel, or maybe it was TIME magazine. I was anxious to get home. The stranger addressed me, “Why is a stylish woman like you wearing a Mickey Mouse watch?” I looked up. The answer was that I had taken my son to Disneyland a few weeks earlier and wanted a souvenir.

While the announcement over the loudspeaker notified us of one delay after another with the snowstorm building in intensity, Stan introduced himself. He was a business consultant and had just had a meeting with the CEO of Coca-Cola. With thick brown hair and glasses, he stood 6’7” and was a smooth talker. He made me nervous, but I managed to hold my own telling him about the reason I was in the Atlanta airport. “I’m trying to get back to Boston, but it doesn’t look good.”

“I’m from Boston—Brookline, actually.” The street he lived on was three blocks from my house.

Stan asked, “If we get stuck here overnight, you want to stay at the same hotel? Separate rooms, of course.”

All flights up and down the eastern seaboard were cancelled. We had dinner paid for by Eastern Airlines and then walked around the Omni Hotel. It looked like a huge Tonka toy with an indoor ice-skating rink where skaters wobbled about and one or two feet as they practiced their figure eights and spins to organ grinder music.

“I love to skate,” I told him. “When I was growing up in Harrison, New York, my dad used to take us to an indoor rink, and when it was really cold, we went to one of the frozen ponds in our neighborhood at night. My sister and I took turns skating with my dad, and he loved to whistle as he glided around the pond. He was a good, all-around athlete. He taught me how to ski and play tennis.” Too much information? I looked at Stan, wondering if I was boring him.

“Sounds like you had a pretty nice childhood. I grew up in the Bronx. By the time I was sixteen, I was nearly the height I am today. Everyone thought I’d be a basketball player, but it was hard on my back. I swim. It’s good therapy for the mind and the body. There was an indoor roller-skating rink near our apartment where the gangs hung out. That was pretty much it.”

He added, “Different sides of the tracks, but things even out in the long run.” And then he surprised me with a strain from “Let’s Call the Whole Thing Off.” His soft baritone sounded rich and warm.

“One of my favorite Gershwin tunes,” he said. “Do you know it?”

I nodded. And he sings too, I thought.

We said our goodnights. At eleven p.m. the telephone rang. It was Stan. “What are you doing?”

“Trying to sleep.”

“Want me to come to your room? I can sing you a lullaby or whistle.”

“No thanks. I’ll see you in the morning.”

There would have been worse things than having him wrap his arms around me. This time I didn’t judge a man for trying, but this was too aggressive. Years later he told me had I said “yes” that would have sealed the deal—a woman who took chances.

 ~

Seated next to one another on the plane (he had rearranged our seats), we were holding hands and the electricity between us was palpable. I stared at him while he had his nose in a book: deep brown eyes, perfect smooth skin, thick dark brown hair that was unlikely to fall out in old age, a trimmed mustache, and pillowy lower lip. He was dressed in a business suit—striped tie, starch white shirt, and navy-blue pants and jacket. He looked uncomfortable in his seat, which didn’t accommodate his tall frame. I was curious to know if all of him matched his height. I shivered. I turned away when he looked at my long reddish-brown hair, fair skin, hazel eyes, and Diane von Furstenberg wrap dress.

“Are you cold? I can adjust the air.”

“It’s not the air.”

He smiled and went back to reading.

We shared a cab from the airport to Brookline. Stan asked for my telephone number and gave me his. “Feel free to call me in case I don’t get back to you soon enough.” He leaned over and kissed me on the cheek. We didn’t mention his offer to come to my hotel room. Maybe we’d get to know one another well enough to talk about it.

I unlocked the front door, tiptoed up the stairs, and kissed Josh goodnight. He didn’t stir. I ripped off my clothes and fell into bed.

The next few days the snow continued falling. Public transportation was shut down into Boston. People with skis shushed along the Metro tracks, and old ladies slipped on the ice that built up in front of grocery stores and pharmacies. Power had been cut off. We relied upon our two fireplaces to keep the house warm. Fortunately, we had a stack of dry chopped wood. My mother-in-law was with us and took charge of my son Josh while I caught up on work at home. The postal service was still operating. I typed up a letter of engagement, read it over the phone to my boss, and then sent it off to our client in Mobile.

I waited for Stan to call. When the telephone rang, I was excited and relieved to hear his voice. I admitted that he had tried my patience.

“I’ve thrown my back out,” he said. “Would you mind coming over with some food? And I’d love to see you, but I’m not at my best.” I bundled up against the frigid air and carried a generous package to his apartment. I found him lying on the floor groaning in pain. “What happened?” I asked.

“It’s not easy navigating a world made for people shorter than me—which is mostly everyone. I leaned over my bathroom counter just to shave, and I felt a nasty twinge. The doctor told me to lie down on the floor, take some aspirin, and wait for the pain to pass. He forgot to say that I needed the company of a beautiful woman.”

I blushed. Somehow, in spite of his handicap, we spent the next hour kissing. Nothing like the parchment pecks that my ex-husband begrudging planted on my cheek. His hands were strong and assured—there was nothing tentative about him. Was this the man I had been looking for? Was Stan the reward for having endured a passionless seven-year marriage?

“Could you get me a glass of water?”

“Anything else before I go? My mother-in-law is staying with us. I don’t want her worrying.”

I stood up, put my sweater on, and buttoned my jeans. He grabbed my hand and pulled me back.

“Wait a minute Mister. I’ll be back, I promise.” He looked so helpless. “I hope the next time I see you, you’ll be standing up. This isn’t a good look.”

Stan laughed. “Don’t I know it? Just let yourself out. I can’t stand up or I’d walk you to the door.”

I slid home over the snow boots barely careening into other pedestrians out at ten o’clock in the evening. My body was on fire. I didn’t feel the cold and took off my scarf to let the air dry my neck. When I got home, everyone was asleep. I kissed Josh, tucked the covers around him, and turned off his nightlight, the stars vanishing from the ceiling. I was so happy I wanted to sing. I whispered, “Lullaby and Goodnight,” although he didn’t hear me.

I ran a bath and soaked in the warm water; it would have been easy to close my eyes and drift off. Instead, I toweled off and got into bed, pulled into a deep dreamless sleep. The next morning the sun poured into my bedroom window, and I heard the drip of icicles melting. I wondered if this was it—the storm had blown through, and we’d soon have electricity and heat. Josh crawled into bed with me, his hands gently caressing my face while he murmured, “Mama, Mama.” The sweetest sound. I curled my body around him.

I wasn’t looking forward to going back to work as soon as the streets were cleared of snow and the MTA was operating.

Stan and I became exclusive, dinners at quaint Cambridge restaurants, double dates with his best friend Howard Schwartz and his wife Jackie, art exhibits, and movies. One stands out—My Brilliant Career. Set in Australia, the film features a spunky young woman who plays tricks and dreams of becoming a writer. She questions the intentions of a wealthy landowner who proposes marriage.

“What did you think of the movie?” asked Stan preempting me.

“I can identify with the heroine’s feistiness, her passion to become a writer.” I stifled a sigh not wanting to seem a victim. “But right now I have bills to pay.”

He pressed me. “What do you think of her decision to reject her lover’s marriage proposal?”

“You first.”

Stan adjusted his glasses, which I had learned was his habit when he wanted to buy himself some time to think. “I guess every woman needs to choose her own path, but I think she could have had both. I don’t understand why she questioned his love.”

“Maybe she thought she didn’t deserve it.”

“I think she misinterpreted his intentions. I think he was in love.” As if ending the discussion, he leaned over and kissed me. Unlike the heroine, I felt in that moment that I deserved him—all of him.

Initially we had no intention of bringing our children together. It was much too soon for that happy “blended family.” Instead, we kept our romance under wraps.

 ~

 Stan made reservations at the Castle Hill Inn in Newport, Rhode Island for our first weekend away. What to wear? I chose a pink cashmere turtleneck, and pastel, paisley skirt with beige suede boots for the two-hour drive and packed two different outfits—one for dinner and the other for a walk on the beach.

“How do you know about this place?”

He was evasive. “I’ve been there.” I was curious to know if it was with another woman, or if he had taken off for a break after his divorce. I didn’t know much about his ex-wife, and I was glad. I would have had to share things about my ex, and the stories weren’t very flattering to me or to him.

Stan turned on the car radio; the classical music filled the comfortable silence between us.

The windows of our suite overlooked Narragansett Bay, and there was a claw foot tub, a nod to the inn’s beginnings in the late 1800s when grandees summered there. We didn’t bother unpacking and instead slid under the sheets. Stan was a masterful lover, one minute gentle and the next insistent. I discovered what his mustache was for. It sent shivers down my spine. Three hours later we showered, dressed, and went out to dinner at the White Horse Tavern in a red clapboard house. The main dining room was lit by candles in keeping with its seventeenth-century vintage. Stan ordered a dozen oysters. We were ravenous.

“What kind of wine do you like?’” he asked.

“I’m going to have the cod. What about a Pouilly Fuisse?”

“Let’s splurge. Why don’t we have a bottle of Pierre Jouet?”

“Are we celebrating something?”

The flame of the candles on the table lit up his face. “Every minute alone with you is reason enough to celebrate.” Bring it on.

I tipped an oyster and juice into my mouth. It was fresh and delicious.

The waiter came over to take our order. When he left, Stan asked, “Do you like to cook?”

“Chocolate souffle, Moroccan chicken, turkey with chestnut stuffing and sweet potato pudding, pot roast and latkes. Anything really, so long as I have a good recipe and can buy the ingredients.”

Stan ran his tongue across his mustache to catch the oyster juice. “I’m moving to a house in a few weeks. It’s right in our neighborhood. You’ll have to christen the kitchen, and I’ll do the dishes.”

I took a sip of champagne and nodded. Did he see a future for us? I didn’t want to jump to any conclusions. I didn’t stop to think if he was right for me. I was being led by my beating heart, and not my head.

The next morning, we walked along the beach. Stan had a tape recorder and played Bach as the waves pounded the rocks along the shore. He pulled out a camera. “You look stunning in that heavy blue sweater. Let me take a picture.”

“Only if you let me take one of you.”

I let the wind blow my hair, partially hiding my face and then we switched positions. Looking at Stan through the lens, I had trouble catching all of him. I had to keep walking backwards. “Careful you don’t trip and fall.”

 ~

 Our next outing was to his cabin in Quechee Lake, New Hampshire. He warned me that the amenities were basic. We decided to bring his sons who were six and eight.

“Why don’t you bring Josh? He’ll have fun with the boys.”

His confidence was catching, so I agreed. Since we were moving in the direction of becoming a couple I decided to give it a try. The evening before I made a lasagna casserole and Josh helped me with the crocodile cake—green food coloring mixed into the cream cheese icing, corn candy for teeth, M&M’s for the eyes and a tail that wound back on itself and into its mouth.

“What do you think, Josh?”

“It’s scary.”

“Maybe but it won’t bite you, I promise, and it’s going to taste delicious.” I swiped my finger through the icing bowl and offered it to Josh.

“Yummy.”

“I promised.”

“Tomorrow we are going with my friend Stan and his boys to their cabin in Quechee Lake.” I editorialized hoping that he’d be excited. Instead, he looked at me with his chocolate brown eyes, puddling with tears, and said, “No, I don’t want to go.” And then he had a full out cry. I held him in my arms.

“Would you like to sleep in my bed just for tonight.”

He managed a silent nod. I wondered if I was rushing headlong into one imaginary, big happy family.

Stan picked us up in his 1967 brown Pontiac. Half-hearted introductions. Apparently, his sons, Ricky and Noah, were in the middle of an argument and didn’t want to be interrupted by his father’s girlfriend and her son. We didn’t say much on the ride to the cabin, which was exactly as advertised—basic—it’s saving grace was the spectacular view of the partially frozen lake.

“Everyone up for a vigorous hike around the lake?”

I put on my boots and dug Josh’s out of his suitcase. Stan was already wearing his, as were the boys. This must have been a ritual. One shouted, “To the top.” The other groaned. “I’m tired. Let’s go half-way.”

“All right. Half-way it is. Probably make it easier on Josh,” said Stan. Then he added, “But Loren is an experienced hiker. She’d probably get to the top without breaking a sweat.” I gave him the side eye. Was he mixing me up with a former girlfriend, his ex-wife, or was he trying to sell me to his sons? Up to this point the only athletic sport we indulged in was in the bedroom.

The trees were covered with a dusting of snow, and the March wind stung. I tied a scarf around my face and turned the collar up on Josh’s snow suit. Stan took long strides dodging the snowballs his sons threw at him. Stan seemed impatient that Josh was holding us back. I kept asking him to slow down, but he just wanted to give his boys a vigorous outing, so Josh and I lagged behind. I consoled myself by thinking that Josh would be exhausted and not mind sleeping alone in a sleeping bag in the living room. There were only two bedrooms, and the boys claimed the second bedroom without inviting Josh to join them. It was apparent they didn’t want anything to do with a five-year-old.

When we got back to the cabin, I put dinner together and the boys were directed to set the table. They groaned. “Dad, fork on right, spoon on left?”

“What do you think?”

“Fooled you,” said the older boy, Rick. The three of them laughed. I didn’t get the joke. This must have been another one of their rituals.

Even Josh scarfed down the lasagna. I brought out the crocodile cake. It was a big hit, well worth the effort we had made. Stan declared it a masterpiece. I was thrilled.

“Why don’t you play a board game with the boys? I’ll do the dishes.”

“I don’t mind that arrangement at all.” Stan gently touched my neck and whispered, “And after they go to bed, we’ll play our own game…”

The boys chose Chutes and Ladders. I let them win. Josh found a corner and turned the pages of Sylvester and the Magic Pebble, telling himself the story. Rick said, “He’s got it all wrong.” I told him that Josh didn’t read yet. “Would you like to read it to him?”

“Forget it.”

Lights out. The only sound in the cabin was light breathing. Outside, the sounds of the ice cracking echoed through the woods. “Do you think this was a good idea?” I asked Stan. “Maybe we should have waited or done something together less ambitious than a weekend here.” If I had doubts, I should have voiced them sooner, but Stan sounded so enthusiastic that I went along with it.

“Sure. They needed to meet one another soon or later.” He then ran his finger from between my breasts and down my stomach to his intended destination. I gasped. He covered my mouth with his.

Breakfast was an assortment of cereals. The older boys got into an argument and started throwing corn flakes at one another. Stan laughed. I wasn’t amused. I thought he should discipline them, but as with many weekend fathers he didn’t put a stop to their game. The table was covered with cereal. I cleaned it up while Stan did the dishes.

We didn’t discuss the weekend, which I voted an epic fail, except for the crocodile cake. Instead, we resumed our routine of going out on dates on the weekends without the boys. Three years into our relationship, we closed all the blinds and danced naked to “Saturday Night Fever.” We spun around and ended up on the floor making love. It was the glue that held us together.

Our conversations were highbrow. He was obsessed with quantum physics, which was well beyond what I could understand, but I’d nod and ask appropriate questions as if I knew what he was talking about. “Quantum physics operates on the atomic and subatomic level.” Huh? I did better with his lectures to me about “corporate culture,” a concept he made popular with a colleague at Harvard University.

“Why did you go into this field?” I asked, struggling to understand how his mind worked.

“When I got my masters in anthropology, I could have done research on indigenous tribes or family relationships. But there’s no money in that. I decided that studying corporations was the way to go. It’s been very lucrative. I get $25,000 a speech. You’ll have to come with me one of these days.” I did, and afterwards we had sex in the back of the limousine on the client’s dime.

 ~

 I was Stan’s plus one at a dinner party in the suburbs given by his associate, Jim Bailey, president of Cambridge Associates. “You’ll enjoy it,” he said. “Good food, good wine, and good company.”

“Who’s going to be there?” He explained that the guest list included Howard Schwartz and Jackie; Warren Benis, a professor in the business school at USC, who was in town for a conference; and Werner Erhard, the founder of est Training, and his wife Hannukah. “I sit on their board. The company is going through growing pains and Werner asked me to help him reorganize.”

“est—I didn’t know you were involved with it.”

“Yes, you might want take one of their seminars.”

I got defensive, “Do I need fixing?” He assured me that was not what he meant. “The skills they teach are beneficial for everyone. Even me.”

“So I might gain more insight into the way you think.” Silence.

The dinner party was as advertised. Howard sat across from me. He kept staring at me. Was it my white angora sweater and pearl necklace or something else? I excused myself and went to the bathroom. Howard surprised me. “I need to speak with you.”

“Sounds serious.”

“I can’t believe I’m saying this. I am in love with you, totally and completely. I wish you had met me before you met Stan. He can be a hound dog. I don’t think he’s good for you.”

I was stunned. “Thanks, but I think I can take care of myself.”

Stan said he saw Howard following me. “What did he want? Did he hit on you?”

“No. He just wanted to catch up. See how you and I are doing.”

“You told him we are doing great, didn’t you?”

I nodded.

~

I was blind to Stan’s faults and ignored Howard’s warning. I was impressed with his accomplishments and addicted to the sex. I didn’t know where our relationship was going. I decided to explore job opportunities in Los Angeles so that Josh could be near his father—he wasn’t a good father but he was the only one Josh had, and I hoped that over time he would become more engaged with him as Josh got older. He was too busy building his career to give much thought to the son he had left behind. Ever the optimist, I interviewed a few firms and was made an offer to start work by June 1980.

I told Stan and gave him the chance to ask me to marry him, but he said, “I’m not going to tell you what to do. You have to make up your own mind.” It’s not what I wanted to hear. I wanted him to tell me that he couldn’t live without me, that I was the one. Instead, he accepted my decision once I accepted the best offer. He assured me that he’d visit me in Los Angeles. A year of bi-coastal trips later it was over. He had met another woman in Brookline with three children about the same ages as his two sons. Howard told me she was seven years older than he was, an interior designer, and an excellent cook. I forced a laugh, “He needs help in both departments.”

Howard added, “He’s really a mama’s boy. With three kids, she’s had plenty of practice.”

I was shocked that he gave up on me so easily. I wanted him to say he couldn’t live without me, that I was the one. That I shouldn’t move to Los Angeles. That we would make a life together.

Instead, he accepted my decision. His breakup gift was a book by Carl Sagan, which he inscribed: To one of the great ladies of the Cosmos, With love and affection, Stan, November 1980.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Letter from the Editorial Director

I don’t know about you, but I’m sick to death of the artificial bullshit glutting our internet. I’m sick of scrolling past stilted videos of eerily fluid, cartoonish people in nauseating yellow lighting. I’m tired of wading through generated images of Jesus made of fruit and vedge, American presidents dressed like comic book characters atop armored eagles, imposter flood refugees with pleading pigeon eyes, and bipedal hedgehogs scrambling eggs. But, above all, I’m revolted by the notion that we should get used to AI generated text because the chatbots are here to stay. 

In a few short years, social media companies, AI startups, and their sycophantic boosters have transformed our most powerful communications technology into a desiccated wasteland of “content.” In this desert of abundance, as much as half of new content is generated by machines, and already automated bots make up more than half of all internet traffic. Increasingly, bots generate the content, post the content, and consume the content, completely cutting humans out of the loop.  

All of this would be fine if it was confined to blogposts on Business Insider or LinkedIn profiles. But the crumbling of those “services” is only a symptom of what big tech wishes for us all: a human bot culture devoid of real feeling, of real connection, of real expression. Let, they say, the regurgitated average of all that has already been done or said be enough to say who we are, what we feel, how we love. We must reject this premise.   

I’m not foolish enough to believe a new issue of The Headlight Review might herald revolutionary change. But let it be a salvo in the battle against the artificial, a barbaric yawp of human expression against the spinning fans of the datacenters that threaten to burn us up. And this howl’s a good one. We have powerful fiction edited by Mary McMyne, poetry edited by Abhijit Sarmah, and the largest collection of creative nonfiction we’ve ever published, including moving accounts of other institutions that have stifled us, love and family, and the timeless importance of literature. You’ll also find paintings, watercolors, and charcoal drawings. None of it, I’m proud to say, generated or assisted by AI. 

This is our biggest issue yet, and I’m so proud of the work we’ve done to grow in these last two years. I’m also excited for the year ahead. Lately, we’ve been thinking a lot about THR’s place in our local community, and we’ve decided to use next year to consider our Southern roots. Volume 4 will be a special, double issue of the journal considering “New Southern Writing,” and I’m excited to get started on the work of connecting with nearby editors, writers, and artists to help showcase our region. We’ll have a lot of great regional content in our “High-Beams” section, too. 

In the meantime, though, please enjoy this issue. We’ve worked hard to bring it together, and we hope you’ll agree it’s a testament to the supremacy of human expression at a time when that’s more threatened than it’s ever been before.  

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Holy Door

   “I was in prison and you came to visit me.”
   —Matthew 25:36

Stay on the sidewalk, the signs commanded, and we—my mother, my brother, and I—did, not that we were tempted in the very least to stray onto parched grass peppered with fire ant beds and sticky beggar lice and sand spurs. Towers loomed overhead like barbed-wire lighthouses, guards with rifles at the ready, a reminder of an unfathomable life at Tomoka Correctional Institution, a maximum-security facility in Daytona Beach. It was late August, not a tree or lick of shade to be seen; the sapping heat pulsed like a demon. We made our way in a straight line toward the recreation room, a dreary concrete block building, as if we, too, were prisoners.

Earlier in the stark security offices, we exchanged our car keys and iPhones for radios the size of the earliest of mobile phones. In the center of the bulky black boxes was an emergency button, and we were to affix these radios to our waists, but already mine wouldn’t clip properly; the clasp was broken. I clutched it like a walkie-talkie instead. Up ahead, at the sidewalk’s end, a heavy iron door opened, and the smiling face of a tall man in faded blues appeared, and then disappeared. A few feet up the sidewalk later, the door opened again, and before it closed, I saw that the man’s expression was that of a giddy boy at Christmas. It was such an unlikely emotion, so strange in this doomed landscape. I looked up at the armed towers, nervous. Was such joy even permitted here?

The chaplain accompanying us opened the iron door, and we stepped inside to a standing ovation, over a hundred prisoners applauding. We were at Tomoka to honor my late father, a decades-long volunteer who established a Toastmasters chapter there and ran it every Thursday. He’d passed away a month before. Next to me, the hulking, smiling gentlemen who orchestrated this surprise greeting, introduced himself as Jonathon. My father had represented him at a previous, unsuccessful parole hearing. Dad had spoken of him frequently, of how he deserved to be released, and how certain he was of his redemption despite his crime (he never revealed why Jonathon was serving a life sentence). I had never understood that idea, that someone who had committed such atrocious acts could be redeemed. Plus, wasn’t punishment the goal?

Bradley’s father with inmates at Tomoka Correctional Institution, photographed by Marc Krevo

As he spoke of Dad’s Thursday visits, Jonathon did not stop grinning. “Bob gave me his undivided attention. When other guys wanted to talk to him, I said, ‘Wait a minute, he’s here to see me!’”

He lifted a worn square of paper from his shirt pocket, the creases evident. It was a note my dad wrote after Jonathon’s first Toastmasters speech. Dad was a pharmacist, his early career in the family drug store in Monroeville, Alabama. He later became a pharmaceutical salesman in Jacksonville and was assigned to a territory that included the Tomoka facility. There was a need at the prison, he learned from staff and doctors. The “guys,” as my Dad always referred to them, wanted to be part of something, something more than what the prison offered. As Dad was an eloquent speaker, the kind of man you hoped made the toast at your wedding or the eulogy at your funeral, he was the perfect person to fill that void. He used Toastmasters to help the incarcerated men find their voices.

Jonathon didn’t unfold the note for us—the advice on that sliver of paper was his and his only—but knowing my dad, it was surely uplifting and encouraging, with a teeny bit of constructive criticism. And to Jonathon, it undoubtedly represented one thing: hope. 

~

That was ten years ago. This year, 2025, is a Catholic Jubilee Year. Pope Francis announced that five holy doors in Rome would be opened, two of which he would personally oversee. These ornate doors are bricked up from the inside, and the breaking of the mortar symbolizes, like the ancient Jewish tradition Jubilee originates from, the release of prisoners, forgiveness of debts, and the restoration of harmony in the world. Catholics believe that all who enter pass through the presence of God. The first door was opened at St. Peter’s Basilica on Christmas Eve. The day after Christmas, a second was opened at Rebibbia New Complex Prison. Outside of the church community, this led to some headshaking. A prison? But Pope Francis, known for his outreach to city slums and AIDS victims, as well as for washing the feet of many prisoners, said, “I too, could be here.”

~

After the Memorial service, there was cake and coffee, and we were encouraged to mingle. The service had done a number on me. I wasn’t ready for mingling. I sat off to the side and focused on controlling my tears. A metal folding chair dragged behind me, and then a voice, “You got to stop that.”

I turned around to face a linebacker-sized man wearing mirrored sunglasses. Clearly he spent his allotted free time in the facility’s weight room. He lifted his shades to reveal red, swollen eyes. “Look at what you got me doing.” That made me laugh, and we talked and talked. “I loved your dad,” he said.

I thought that a splash of cold water on my face would help. Someone pointed me in the direction of the restroom, and I walked along the kitchen corridor by the leftover cake and coffee. At a counter, a man sorted through a stack of sketches. I recognized the artist’s style—a heavy crosshatch shading, a light stippling. One of his drawings—the regal head of a tiger—hung on the wall of my dad’s office. The man beamed with pride as he went through the sketches one-by-one. Faces with wide eyes, stern profiles, exotic animals, self-portraits. He selected an unfinished drawing, and deep in thought, leaned against the counter, and began a light crosshatching to make it complete.

I found the washroom and made myself as presentable as possible. The intensity of the day was enormous. If I could have walked out right then, I would have done so. But there were two men I still wanted to meet. Plus, I had no choice. This is an exaggerated comparison, but like the prisoners, I could not simply walk out just because I was tired and emotionally drained. I looked at myself, puffy eyes, head pounding. The cold water did not make me look any better. As I stepped out into the rec room, I was immediately stopped by a young man in his late twenties. “You read my story,” he said.

Years ago, Dad had given me a short story written in pencil on wide-ruled paper. I’d made notes in the margins and signed off with “Keep Writing.” The story was set in St. Augustine, where I live, and he had also lived as a teenager. It was a beautiful love story of a young girl who worked in a sweet shop—pralines, brownies, fudge—on St. George Street, the main pedestrian thoroughfare. As we chatted, I got the idea he wasn’t writing much anymore, so I encouraged him, noting that writing is hard work, and then I stopped myself. He knew hard work. Everything was hard here. What was I even talking about? Fortunately, he changed the subject, kindly asked what I was working on, but as I began, the iron door swung open, and a guard entered blowing a whistle. The room went silent, and without a word, every prisoner found a place, back against the concrete block. Each man was counted, another whistle was blown, and everyone went back—slowly—to what he’d been doing.

I noticed that the writer had positioned himself in the count line beside another young man. His friend looked so familiar—square jaw, dark eyes, a handsome face, a stocky build. I’d noticed him when we’d first arrived, and as the pair, heads together, went back for another round of cake, I strained to see the name on his breast pocket. I did know him, or knew of him. He was also from St. Augustine, and his face had been all over the news in the past few years. He’d been convicted of strangling his wife, leaving her on the beach, waves crashing over her. I watched him, now friends with the young writer; they had their heads together like teenage boys, laughing and palling around. I wondered if they had known each other in St. Augustine, or if their hometown had simply brought them together on the inside. They were like children joking and licking cake icing from their fingers. All around me there were small groups of men talking with my mom and brother, all like old friends or relatives. Collectively, in this room, there was an unbelievable past of horrific crimes and violence, yet there was happiness. Genuine happiness.

I asked around and finally found the two men I wanted to meet, dear friends of Dad’s—James and Jimmy. He spoke of them a lot, but as always, he never mentioned their crimes. Jimmy’s wife had passed away years ago, his grief causing the rage and crimes that had brought him to this place. He had a grown daughter on the outside, and grandchildren. I also knew that he had been very ill recently, but that day he wore an infectious smile. Jimmy was originally from Alabama, and a loyal Crimson Tide fan. My dad was an Auburn fan, and that heated collegiate rivalry had become the origin of their friendship. Jimmy had a folder in his hand, the kind you used in grade school to keep math separate from history, English from science. It was bright green and had been so well taken care of it looked brand new. “This is contraband. Anything you got in your cell,” he whispered. “They can take it away.” He offered the folder to me, as if he were an FBI agent. “Your dad gave me this.”

In the sleeve of the green folder was an orange and blue paper plate with the Auburn University logo. The table erupted in laughter. The week after Auburn beat Alabama in the Iron Bowl, Dad was there for the Toastmasters meeting. After speech practice, dessert was served, and Dad brought Jimmy a slice of pie on that plate. Jimmy thought it was the funniest thing. It was a long-running gag between the two of them, each trying to outdo the other, but clearly Dad won that time. Somehow Jimmy had managed to save the forbidden paper plate in his cell with that folder, passing it off as a document for years. Jimmy would later go on to be released earlier during COVID because of a cancer diagnosis. I often think of him sitting by his daughter’s screened-in pool, drinking coffee in the morning, free to enjoy it where and when he chose.

Bradley’s father doing yoga with an inmate at Tomoka Correctional Institution, photographed by Marc Krevo

Though Dad also talked of James, it was more of his work on the inside, his yoga practice and meditation. I didn’t know much of his background or his family. He had severe blue eyes, a confident smile. As Jimmy and I talked SEC football, James had been mostly quiet. Now he looked around the room, and then back at me. “Is this what you thought it would be like?”

“No, it’s—” I said, struggling for the word. “Happier?”

He smiled and shrugged. “Well, in here, maybe. It’s not what it is out there.” He motioned toward the concrete block buildings that housed the dormitories. Some of the dorms could be violent and dangerous, he explained. The radio on my hip was uncomfortable and clumsy. Sometime during our conversation, I’d set it on the table. James motioned to it, and in a serious tone a reminder of where we truly were, said, “Better put that back on.”

“When you get home,” the chaplain told me as we were walking back down the sidewalk in a straight line, this time toward the security offices and the exit, “don’t search for these guys on the internet.” Of course, I would do exactly that. I fell down a rabbit hole at the state’s Department of Corrections site. I discovered their crimes—premeditated murder, armed robbery, assault with a deadly weapon—and then I stopped. I did not need to know the details of their crimes. There was no making sense of their past, no resolving who they were with the sympathy and kindness they had shown my family, and most of all, their respect and love for my dad.

~

On December 26, 2024, when Pope Francis arrived at the holy door of Rebibbia Prison, he stood from his wheelchair, took halted steps, and knocked on the ornate bronze door. It slowly opened, a gesture of easing open the doors of our hearts, and he passed inside. Despite its lack of beauty, I am reminded of that iron door at Tomoka, and the men behind it so many years ago, how they deserve what the pope refers to as an “anchor of hope.” I saw, if only for a few hours at Tomoka, how hope worked its magic—the look on Jonathon’s face, unencumbered by despair and loss, the creased note in his pocket, the Auburn paper plate in Jimmy’s green folder—all of this the outcome of those who have taken the time to bring hope to them.

~

When Michael was released, Dad was there when he walked out the prison door. He drove him to Jacksonville to a family member’s home, first stopping at Walmart where they shopped and purchased new clothes and supplies for Michael to get him started on a new life. Over the years, they had a regular lunch date and talked frequently.

The aneurysm that took my father’s life was not instantaneous. His brain was gone, but his body held on for days. He was a runner, a swimmer; his lungs were strong. He was simply not ready to go, therefore there was time for those who wanted to say goodbye. Michael was one of the first people my mother phoned. While he promised to come to the hospice facility, days went by, and we had not heard from him. One evening, just after sunset, there was a knock at the door.  A black man, well over six-feet-tall with gold teeth and a worn leather Bible in his hands entered the room. He had an infectious smile. He came to the end of the bed, took my father’s feet in his hands. With the voice of a poet, he sang out, “My main man, my superman, my Hall of Fame.”

Three hours later, deep into the night, my dad slipped away quietly. I like to believe that Michael ushered him through that portal.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

The Assembly Line Flow

Steel slab after steel slab
guided, slid, shoved
into a push press
expected to deliver
on loose screws and bolts,
thirty seconds of ear-shattering bangs per sheet.
Bang!
Bang!
Eyes, mind closed to own smoke—
Overheat—
but maintain top speed.
Slow down, breathe—
become obsolete.

Move and manufacture,
produce and progress
till guide, slide, shove
devolves to push, pull,
snap back on a fallen piece.
Till each steel slab
on assembly line's flow
spawns a sob
masquerading as a rattled screech.
Bang!
Bang!
till screaming prayers to remain composed—
on shifts one through three—
looped on an endless repeat.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Rex

We're proud to feature this poem from Van G. Garrett’s chapbook Chinaberry Constellations: Odes, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

Big Mama’s house was two floors
of adventure:

A library of memories
A storehouse of stories

A patchwork of possibilities

Walls with hidden treasure
Creaking steps
A haunted attic

Photos and old records

In the summer
we swiped at the sun
laughed until our sides hurt

Brave as kids could be
Except for when we hard-sprinted
from a German Shepherd
with amber-colored eyes
named after a dinosaur

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

ACCESS_DENIED: heart.exe

> Running diagnostics...

Emotional drive:
fragmented.

Accessing main directory:
/hope/memory/you

Status:
file: touch.exe — missing
file: laugh.wav — corrupted
file: promise.txt — overwritten
folder: trust/ — access denied

Attempting repair...
Error: permission denied.

System prompt:
“Feeling requires vulnerability. Proceed?”

User input:
...
Suggested action:
abort.

Some systems forget
how to open again.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Two Watercolors

Nude Watercolor, Watercolor and ink on paper

Sarte, Watercolor on paper

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

On the Death of a Queen

there is laughter like the ripples
when something dark breaks the water,
the laughter of children colliding
with the inert thigh of their mother
stood hollering,

there is the laughter of that discovery
of looking up at the mother’s face softening
and learning fear is a thing
you grow into
not out of,

there is the laughter of wind filling a sail
and two lovers’ hands on the tiller,
peacocks pluming and the dogs’ mistress returning
to a forest of tails around the hearse,
there is

the laughter of doors opened slowly by lovers
with a bottle in one hand and a lie in the other,
then the dark laughter of the same door closing some hours later,
the laughter of disbelief and crumbs in the bed,
there is

the laughter of the town crier drunk in the night
swaying under a lit window
where
the pert whisper of a curtain being drawn
seems louder than the tolling bells.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Scooch

The lower I scooch, the better the reception.
Like the signal’s intensity is what it is except
around me. We’re watching The Rockford Files
in my father-in-law’s recreational vehicle in a
private drive in Ft. Lauderdale, James Garner /
Jim Rockford handing out uber-macho lectures.
It’s 1980. I’m a new dad and reading Faulkner
for a class. I catch the politics of calling women
Honey. The woman in tennis whites has framed
Rockford for felony murder. Her navel, an innie,
packs loads of social import before its vanishing.
Arthur Dixon, my kind father-in-law, stands. He
steps to the antenna. Now he’s motioning Scooch,
Jim Rockford smart-mouthing his way to triumph,
the rest of our family inside the house or at church.
This evening, Arthur loves his battery-powered TV,
asks if I like Florida. I say, Positively, as Rockford
calls up William Faulkner in a ’74 Firebird Esprit,
skillfully spinning a steering wheel—like America
is okay just fine but you need to be willing to, well,
scooch down so you catch sight of the road ahead.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.