Please, God, in the Event of Dictatorship

Allow me to run from America and, if it be Your will,
Have Germans roll out their welcome mats
As America opened her arms to my parents
When they escaped Berlin in the ’30s.
Or, if not, allow me to tend my garden,
And don’t forget to protect my stocks.
Or, if I end up in some relocation camp out in Utah,
At least let it be humane, or, if not,
May I thrive in suffering and hardship.
Didn’t Sartre say “We have never been so free
As under the German Occupation?”
Today on Morning Joe I heard terror in men’s voices
Even in those normally mechanical and robotic.
But Germany might be a better option anyway
For decrepit age, since they care for elders cheaper
And I’ve now got my German papers.
But maybe it’s too lonely there.
I know the language but don’t know a soul.
How does it work, to not know a soul?
I’ll just be in some affordable nursing home,
And everyone will be talking German
While I’m looking out at snow instead of palm trees.
Of course, if one listens to folks like Knut,
There never was a Holocaust.
What I don’t understand about antisemites is,
Shouldn’t they be cheering for the Shoah
Instead of denying it?
What would it take to convince him?
He also assures me the earth is flat
And schools everyone that BLM is a Jewish plot.
I wish, God, You could open his eyes at Auschwitz
But he’d claim that’s just an ingenious Hollywood set,
And Hollywood is Jewish-owned.
Maybe I should tell him about my grandmother
Who was deported from Germany,
Branded, starved, gassed and burned
Even though she’d converted to Christianity
The way I converted all these years later.
But he’ll assure me that’s all myth.
Knut once hoped to be a child support investigator.
And gave my name as reference.
When they phoned me, I told a bit of the truth
About his “issues” with black people and Jews
Though he has “mad respect” for one or two individuals.
They thanked me and never disturbed him again.
But You already know all this, dear Lord,
Because You know and direct everything.
Help heal Knut, lift him and others like him
Out of the cesspools of Reddit and 4chan
And into the yeshiva of Your grace. Amen.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

My Therapist Shows Me How to Write in the Affirmative or An Alternative to Writing “Don’t Kill Yourself”

We're proud to feature this poem from Maya William’s chapbook Feminine Morbidity, which was selected by Olatunde Osinaike as the winner of The Headlight Review’s 2025 Poetry Chapbook Contest.

stay kin       stay kin       stay kin       stay kin
stay kinder to myself stay kinder to myself stay kind stay alive
I want to stay kind I want to stay alive I want to stay kind I want to stay alive I want to
stay alive stay kind stay    be alive be kinder to myself be kinder to myself
be kind be alive     I want to be kind I want to be
alive I want to be kinder   I want to be alive   I want to be alive be kinder
be stay alive stay alive be alive stay alive be alive stay alive be alive stay alive
   be alive stay alive  be alive stay alive be    alive   stay
alive     be     alive stay  kind  be alive    be kind    stay alive
be kinder to my  self be kinder to my  self be kind be alive
I want to be kind I want to be kind I want to be kind I want be kind I
    want to be alive  be kind be alive be kinder to myself be kinder to myself
be kinder to my   self stay kinder to my   self be kinder to my   self stay
kinder    to my    self
be stay alive stay alive be alive stay alive be alive stay alive be alive stay alive
be alive stay alive be   alive stay  alive be   alive stay
alive be   alive    stay kind be a live   be kind    stay a live
stay a live   be a live   stay a live   be a live  stay a live  be a live   stay
a  live.   be  a     live   stay a     live be a  live   stay a live be
   a live     stay         a live be
a life a life a life a life a life a life a life a life a life a life a life a life a life

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Sweet

We're proud to feature this poem from Christina Hauck’s chapbook An Angel and Other Poems, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

I cut my hair short as a boy’s and lounged
by the river with other naked women,
all of us laughing and talking with hands
and with mouths, wading in and out of the water,

shining. Your eyes took me in. I sifted,
sand through my fingers, soft and warm.
You peeled a mango, slipped dripping slices
between my lips, tasted sweet strangeness

on my chin. O sweet the days we played
by the river and sweet the nights in your room,
mornings when don’t go you’d unbutton
my blouse, gather me in.

The day you showed up late wearing leather,
chain-smoking unfiltered Camels, I guessed
what you would say hours before you would say it,
your tongue loving the sound of her name: Elizabeth.

Elizabeth. Same as my grandmother.
I cried a little, driving home across the bridge.
I remember you wore a red beret and I was always so
impatient at your before-the-mirror adjustments

sometimes taking minutes. Sweet, sweeter
than anise, I remember your lower lip caught
between your teeth as you rose from the river
silver streams of water pouring from your hair.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

She Replants

The family tree is gnarled and warped. Witch’s bony
knuckles and fingers sprouting from a dark corner of the earth.
It hangs like a curse and blights the lonely apple that grows,
hiding. A thin branch reluctantly bows to its weight.

The disgruntled farmer marches toward, callused fingers
gripping an axe. A ruling by nature’s court would have
taken longer. As the bit kisses wood, neighboring foliage pockets
stray echoes—as if the tree never stood. For a moment,
even nature forgets its impartiality, wishing it good riddance.

Striking ground, leaves quake and abandon loyal dew drops,
while the tart apple tumbles away unceremoniously, catching bruises.
The apple finds final refuge not too far from the felled tree:
chopped wood hauled away after an inconclusive autopsy—
why that tree grew diseased and wicked, neither the apple nor the farmer
knows. Perhaps it was simply impartiality. The apple finally begins to rest
and somehow, it does not rot until the very end. Its secret is peace.
Though nature would never acknowledge it.

With graceful decay, the elements accept the sunken
apple’s sacrifice as offering. The cost to plant roots paid in full,
its seeds are blessed. They lay dormant, mourning.
At the turn of the season, they shed their coats of hesitation
and begin ascent. In old age, the deer, hawks, and ravens
finally bear witness to an anchored palace ornamented
in abundance with sweet rubies basking in the sunlight.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Moon (as translated from the Hebrew of Nathan Alterman)

Even an old landscape has a moment of its birth.
The strange, impregnable
And birdless skies.
Under your window, moonlit on the earth,
Your city bathes in cricket-cries.

But when you see the path still looks afar
To wanderers, and the moon
Rests on a cypress spear,
You ask in wonder, “Lord! Are all of these still here?
Can I not ask in whispers how they are?”

The waters look at us from their lagoons.
The tree in red of earrings
Stays a silent tree.
Never, my God, shall Thy huge playthings’ sorrow
Be rooted out of me.

Original Hebrew text of “Moon” by Nathan Alterman

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

[a go phone shivers something important past outdoor seating pints and appetizers]

a go phone shivers something important past outdoor seating pints and appetizers
while the quiet trumpet flower springs bright jazz with a deep throated calico reach
like schoolyard entropy with a slow universe heat death blasted from lily depths
I manage curb horse rings with small plastic horses tethered to a rediscovered history
where there is witness to a dead cigar butt still available to cartoon tramps
we recognize faces as human just as squirrel recognizes squirrel scampering away
in the wet purple dawn berries begin the hard work of turning color
with a quick sweet peep across car tops we question the Palm Springs of Washington
to jokingly shit on a small town we drive through buried in a fruit tree basin
not the airport locker return in a new city hauling clothes books and sleeping bag
avoiding gnat clouds and mosquito gatherings with continuous movement
a momentary raspberry can be plucked crushed and rolled for the juice pockets
reminding a thick blanket nap symbol across couch cushions
and a morning pigeon litany praying for seed and air in both cloud and sun
as the flowers stream brighter with a particular court conviction
celebrated with a book warehouse sale rush to add to shelves and stacks
saying

the act of writing about writing is the act of writing

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Still Wondering if You Made It

We're proud to feature this poem from Jed Myers’ chapbook Our Use of the Stars, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

I’ve been able to miss you, without knowing     
if your silence began at the grille of a truck    
on a state route at dusk, or with a secret               
decision, or in sudden sickness I’d never learn        
the first thing about, but about the first thing
you told me—you were already in love 
with the bristlecone pines. Their twisted praise
clawing the sky, agonized and ecstatic
in their spare clusters and pairs, catatonic 
manics in wait for the rapture they look like
they’re in. You’d need to go stand among them
you said. And though it took tearing your roots
from the sea-level riverbanks where we lived—
though it meant never seeing your wish
for us to wrinkle up slow into faithful twin 
writhings on our slope of years—you did, 
on one forgettable argument’s thrust, set out 
for Utah I guess, to walk up the ridge
where you hoped you’d find them, bare ancient 
wood warped and gouged and goldened 
in the late light, alive. They’d stand by you,
silent but for wind brushing their skin—
presences surer than this one who misses you
and still imagines the horn-blast, the brights

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Shutdown.log

if (soul == None):
 log("disconnection detected");
 backup("last known version of me");

if (heartbeat.variation < 0.01):
 run("old songs");
 try:
  trigger("feeling");
 except:
  pass

if (voice == empty):
 load("your messages.txt");
 loop:
  hear("you saying goodbye");

if (system == unstable):
 restart();
 load("quiet");

if (presence == ghost):
 print("I loved you");
 shutdown("gently");

Instructions for leaving.
When there’s no one left.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Parietal Operculum

We're proud to feature this poem from Kristyn Snedden’s chapbook Urchin to My Shell, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

       Lessons from my husband’s neurologist

I listened while he unfolded every millimeter
of the cortex that cuddles up to the insula,
all that integration. His voice was driftwood

full of holes and swirls. Simon Lacey says the parietal
operculum is where we sense texture through touch,
even if all we do is read it somewhere, our brains

light up on the machine. Someone said your skin
is like velvet, which produced only a worn out
glimmer in the region, but when I touched

you I was myself full of ocean nettles, scalpels
and scythe, yellow and deep rose, forest green.
I was a wilderness captured by the dune,

waves ran over me in the sea of you
and no thought lingered, just the colors
and touch of mossy dark, the taste of brine.

Adrift in that damp sea, that gentle tide,
every minute as sweet as the sting
of the Atalla jellyfish, as bright as a supernova.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Ars Poetica with Amateur Tarot

We’re proud to feature this poem from M. Ezra Zhang’s chapbook Self-Portrait with LSD and Mirror, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

While my lover the tarot reader is comatose
in the bedroom after a night of talking to a god
I could not taste or touch, I scatter
the cards across the living
room like spores
into darkness. Yesterday
under the domination of that god, my face
thrummed in my hands as if
I were wielding a bucket of light. Recoiling from its glare
I was disgusted to find that it followed
me everywhere.

Knowing nothing
about divination I pull three cards:
the moon, the tower, the devil.
If you, like me, don’t know the interior of these
cards, I beg you not to look for them.
It will only make things worse. Look at me
instead while I tell you something true:

One night you are moving
under the hot wet animal of the moon.
You coil upwards a couple hundred
spells until the horizon drowns into the earth
and abandons. At the eye of the tower you become the
eye of the tower. The black grass from below
swells heavenward and then you
become that darkness too.

Today on earth, the living
room window transfixes me
for hours but I find no tranquility in the scene
of the people of the world arriving
at where they need to be.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

an “i want” poem about hilarious masochism

to get sunburnt
   on the scalp & the top of the shoulders
              where it freckles after the second burn
   & that sun burns the sand too & it grinds between heel & flip flop
      until, sandals abandoned,  cold salt waves engulf     ankles & up

to miss the step
   the one to the garage & shins collide with wooden doorframe
                  dad curses, shit, you startled me,   stop running
              so damn fast through the yard
      & for some reason it’s funny to feel the cool cement of the garage against
                      those knobby knocking skinny knees
         & each bruise evidence excitement & dad
                  cared enough to cuss

to crash the bike   
   milli—micro—nano seconds before it hits annie       & both challenger & chicken
                      fall into the grass  bruising on dirt
           blushing under sun &   adrenaline   &  full-stop stupid
       & the bike hits the telephone pole before it cruises into the street
     & two girls now have grass stains up their (one pale, one olive) forearms slight
                           & bug-bitten & tree bark-carved
       & everything is laughing, the summer,  the sun,   the breeze,
       & annie gets the bike & starts up the hill for her turn to come down again

to crawl back in the window
     dictionary under armpit &     shingle pieces   breaking palm skin
           soft landing on the twin bed where the cat tilts his head
                             at crickets   under the sill
        & the ribs have burned   & burned   from summer’s insufferable
                         way of causing laughter
             & the sun is pulling its linen blanket    over its head now
             & the power is still out   & the Nintendo DS died two
                         hours ago &  the bookmark sits at R
                                in the dictionary: raucous, rabid,
                                   rampart,    rapeseed,
            & being bored is worse than bruising or burning
                   because it leaves the fewest marks

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Holy Door

   “I was in prison and you came to visit me.”
   —Matthew 25:36

Stay on the sidewalk, the signs commanded, and we—my mother, my brother, and I—did, not that we were tempted in the very least to stray onto parched grass peppered with fire ant beds and sticky beggar lice and sand spurs. Towers loomed overhead like barbed-wire lighthouses, guards with rifles at the ready, a reminder of an unfathomable life at Tomoka Correctional Institution, a maximum-security facility in Daytona Beach. It was late August, not a tree or lick of shade to be seen; the sapping heat pulsed like a demon. We made our way in a straight line toward the recreation room, a dreary concrete block building, as if we, too, were prisoners.

Earlier in the stark security offices, we exchanged our car keys and iPhones for radios the size of the earliest of mobile phones. In the center of the bulky black boxes was an emergency button, and we were to affix these radios to our waists, but already mine wouldn’t clip properly; the clasp was broken. I clutched it like a walkie-talkie instead. Up ahead, at the sidewalk’s end, a heavy iron door opened, and the smiling face of a tall man in faded blues appeared, and then disappeared. A few feet up the sidewalk later, the door opened again, and before it closed, I saw that the man’s expression was that of a giddy boy at Christmas. It was such an unlikely emotion, so strange in this doomed landscape. I looked up at the armed towers, nervous. Was such joy even permitted here?

The chaplain accompanying us opened the iron door, and we stepped inside to a standing ovation, over a hundred prisoners applauding. We were at Tomoka to honor my late father, a decades-long volunteer who established a Toastmasters chapter there and ran it every Thursday. He’d passed away a month before. Next to me, the hulking, smiling gentlemen who orchestrated this surprise greeting, introduced himself as Jonathon. My father had represented him at a previous, unsuccessful parole hearing. Dad had spoken of him frequently, of how he deserved to be released, and how certain he was of his redemption despite his crime (he never revealed why Jonathon was serving a life sentence). I had never understood that idea, that someone who had committed such atrocious acts could be redeemed. Plus, wasn’t punishment the goal?

Bradley’s father with inmates at Tomoka Correctional Institution, photographed by Marc Krevo

As he spoke of Dad’s Thursday visits, Jonathon did not stop grinning. “Bob gave me his undivided attention. When other guys wanted to talk to him, I said, ‘Wait a minute, he’s here to see me!’”

He lifted a worn square of paper from his shirt pocket, the creases evident. It was a note my dad wrote after Jonathon’s first Toastmasters speech. Dad was a pharmacist, his early career in the family drug store in Monroeville, Alabama. He later became a pharmaceutical salesman in Jacksonville and was assigned to a territory that included the Tomoka facility. There was a need at the prison, he learned from staff and doctors. The “guys,” as my Dad always referred to them, wanted to be part of something, something more than what the prison offered. As Dad was an eloquent speaker, the kind of man you hoped made the toast at your wedding or the eulogy at your funeral, he was the perfect person to fill that void. He used Toastmasters to help the incarcerated men find their voices.

Jonathon didn’t unfold the note for us—the advice on that sliver of paper was his and his only—but knowing my dad, it was surely uplifting and encouraging, with a teeny bit of constructive criticism. And to Jonathon, it undoubtedly represented one thing: hope. 

~

That was ten years ago. This year, 2025, is a Catholic Jubilee Year. Pope Francis announced that five holy doors in Rome would be opened, two of which he would personally oversee. These ornate doors are bricked up from the inside, and the breaking of the mortar symbolizes, like the ancient Jewish tradition Jubilee originates from, the release of prisoners, forgiveness of debts, and the restoration of harmony in the world. Catholics believe that all who enter pass through the presence of God. The first door was opened at St. Peter’s Basilica on Christmas Eve. The day after Christmas, a second was opened at Rebibbia New Complex Prison. Outside of the church community, this led to some headshaking. A prison? But Pope Francis, known for his outreach to city slums and AIDS victims, as well as for washing the feet of many prisoners, said, “I too, could be here.”

~

After the Memorial service, there was cake and coffee, and we were encouraged to mingle. The service had done a number on me. I wasn’t ready for mingling. I sat off to the side and focused on controlling my tears. A metal folding chair dragged behind me, and then a voice, “You got to stop that.”

I turned around to face a linebacker-sized man wearing mirrored sunglasses. Clearly he spent his allotted free time in the facility’s weight room. He lifted his shades to reveal red, swollen eyes. “Look at what you got me doing.” That made me laugh, and we talked and talked. “I loved your dad,” he said.

I thought that a splash of cold water on my face would help. Someone pointed me in the direction of the restroom, and I walked along the kitchen corridor by the leftover cake and coffee. At a counter, a man sorted through a stack of sketches. I recognized the artist’s style—a heavy crosshatch shading, a light stippling. One of his drawings—the regal head of a tiger—hung on the wall of my dad’s office. The man beamed with pride as he went through the sketches one-by-one. Faces with wide eyes, stern profiles, exotic animals, self-portraits. He selected an unfinished drawing, and deep in thought, leaned against the counter, and began a light crosshatching to make it complete.

I found the washroom and made myself as presentable as possible. The intensity of the day was enormous. If I could have walked out right then, I would have done so. But there were two men I still wanted to meet. Plus, I had no choice. This is an exaggerated comparison, but like the prisoners, I could not simply walk out just because I was tired and emotionally drained. I looked at myself, puffy eyes, head pounding. The cold water did not make me look any better. As I stepped out into the rec room, I was immediately stopped by a young man in his late twenties. “You read my story,” he said.

Years ago, Dad had given me a short story written in pencil on wide-ruled paper. I’d made notes in the margins and signed off with “Keep Writing.” The story was set in St. Augustine, where I live, and he had also lived as a teenager. It was a beautiful love story of a young girl who worked in a sweet shop—pralines, brownies, fudge—on St. George Street, the main pedestrian thoroughfare. As we chatted, I got the idea he wasn’t writing much anymore, so I encouraged him, noting that writing is hard work, and then I stopped myself. He knew hard work. Everything was hard here. What was I even talking about? Fortunately, he changed the subject, kindly asked what I was working on, but as I began, the iron door swung open, and a guard entered blowing a whistle. The room went silent, and without a word, every prisoner found a place, back against the concrete block. Each man was counted, another whistle was blown, and everyone went back—slowly—to what he’d been doing.

I noticed that the writer had positioned himself in the count line beside another young man. His friend looked so familiar—square jaw, dark eyes, a handsome face, a stocky build. I’d noticed him when we’d first arrived, and as the pair, heads together, went back for another round of cake, I strained to see the name on his breast pocket. I did know him, or knew of him. He was also from St. Augustine, and his face had been all over the news in the past few years. He’d been convicted of strangling his wife, leaving her on the beach, waves crashing over her. I watched him, now friends with the young writer; they had their heads together like teenage boys, laughing and palling around. I wondered if they had known each other in St. Augustine, or if their hometown had simply brought them together on the inside. They were like children joking and licking cake icing from their fingers. All around me there were small groups of men talking with my mom and brother, all like old friends or relatives. Collectively, in this room, there was an unbelievable past of horrific crimes and violence, yet there was happiness. Genuine happiness.

I asked around and finally found the two men I wanted to meet, dear friends of Dad’s—James and Jimmy. He spoke of them a lot, but as always, he never mentioned their crimes. Jimmy’s wife had passed away years ago, his grief causing the rage and crimes that had brought him to this place. He had a grown daughter on the outside, and grandchildren. I also knew that he had been very ill recently, but that day he wore an infectious smile. Jimmy was originally from Alabama, and a loyal Crimson Tide fan. My dad was an Auburn fan, and that heated collegiate rivalry had become the origin of their friendship. Jimmy had a folder in his hand, the kind you used in grade school to keep math separate from history, English from science. It was bright green and had been so well taken care of it looked brand new. “This is contraband. Anything you got in your cell,” he whispered. “They can take it away.” He offered the folder to me, as if he were an FBI agent. “Your dad gave me this.”

In the sleeve of the green folder was an orange and blue paper plate with the Auburn University logo. The table erupted in laughter. The week after Auburn beat Alabama in the Iron Bowl, Dad was there for the Toastmasters meeting. After speech practice, dessert was served, and Dad brought Jimmy a slice of pie on that plate. Jimmy thought it was the funniest thing. It was a long-running gag between the two of them, each trying to outdo the other, but clearly Dad won that time. Somehow Jimmy had managed to save the forbidden paper plate in his cell with that folder, passing it off as a document for years. Jimmy would later go on to be released earlier during COVID because of a cancer diagnosis. I often think of him sitting by his daughter’s screened-in pool, drinking coffee in the morning, free to enjoy it where and when he chose.

Bradley’s father doing yoga with an inmate at Tomoka Correctional Institution, photographed by Marc Krevo

Though Dad also talked of James, it was more of his work on the inside, his yoga practice and meditation. I didn’t know much of his background or his family. He had severe blue eyes, a confident smile. As Jimmy and I talked SEC football, James had been mostly quiet. Now he looked around the room, and then back at me. “Is this what you thought it would be like?”

“No, it’s—” I said, struggling for the word. “Happier?”

He smiled and shrugged. “Well, in here, maybe. It’s not what it is out there.” He motioned toward the concrete block buildings that housed the dormitories. Some of the dorms could be violent and dangerous, he explained. The radio on my hip was uncomfortable and clumsy. Sometime during our conversation, I’d set it on the table. James motioned to it, and in a serious tone a reminder of where we truly were, said, “Better put that back on.”

“When you get home,” the chaplain told me as we were walking back down the sidewalk in a straight line, this time toward the security offices and the exit, “don’t search for these guys on the internet.” Of course, I would do exactly that. I fell down a rabbit hole at the state’s Department of Corrections site. I discovered their crimes—premeditated murder, armed robbery, assault with a deadly weapon—and then I stopped. I did not need to know the details of their crimes. There was no making sense of their past, no resolving who they were with the sympathy and kindness they had shown my family, and most of all, their respect and love for my dad.

~

On December 26, 2024, when Pope Francis arrived at the holy door of Rebibbia Prison, he stood from his wheelchair, took halted steps, and knocked on the ornate bronze door. It slowly opened, a gesture of easing open the doors of our hearts, and he passed inside. Despite its lack of beauty, I am reminded of that iron door at Tomoka, and the men behind it so many years ago, how they deserve what the pope refers to as an “anchor of hope.” I saw, if only for a few hours at Tomoka, how hope worked its magic—the look on Jonathon’s face, unencumbered by despair and loss, the creased note in his pocket, the Auburn paper plate in Jimmy’s green folder—all of this the outcome of those who have taken the time to bring hope to them.

~

When Michael was released, Dad was there when he walked out the prison door. He drove him to Jacksonville to a family member’s home, first stopping at Walmart where they shopped and purchased new clothes and supplies for Michael to get him started on a new life. Over the years, they had a regular lunch date and talked frequently.

The aneurysm that took my father’s life was not instantaneous. His brain was gone, but his body held on for days. He was a runner, a swimmer; his lungs were strong. He was simply not ready to go, therefore there was time for those who wanted to say goodbye. Michael was one of the first people my mother phoned. While he promised to come to the hospice facility, days went by, and we had not heard from him. One evening, just after sunset, there was a knock at the door.  A black man, well over six-feet-tall with gold teeth and a worn leather Bible in his hands entered the room. He had an infectious smile. He came to the end of the bed, took my father’s feet in his hands. With the voice of a poet, he sang out, “My main man, my superman, my Hall of Fame.”

Three hours later, deep into the night, my dad slipped away quietly. I like to believe that Michael ushered him through that portal.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

The Assembly Line Flow

Steel slab after steel slab
guided, slid, shoved
into a push press
expected to deliver
on loose screws and bolts,
thirty seconds of ear-shattering bangs per sheet.
Bang!
Bang!
Eyes, mind closed to own smoke—
Overheat—
but maintain top speed.
Slow down, breathe—
become obsolete.

Move and manufacture,
produce and progress
till guide, slide, shove
devolves to push, pull,
snap back on a fallen piece.
Till each steel slab
on assembly line's flow
spawns a sob
masquerading as a rattled screech.
Bang!
Bang!
till screaming prayers to remain composed—
on shifts one through three—
looped on an endless repeat.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Rex

We're proud to feature this poem from Van G. Garrett’s chapbook Chinaberry Constellations: Odes, which was selected by Olatunde Osinaike as a finalist of The Headlight Review’s 2025 Poetry Chapbook Contest.

Big Mama’s house was two floors
of adventure:

A library of memories
A storehouse of stories

A patchwork of possibilities

Walls with hidden treasure
Creaking steps
A haunted attic

Photos and old records

In the summer
we swiped at the sun
laughed until our sides hurt

Brave as kids could be
Except for when we hard-sprinted
from a German Shepherd
with amber-colored eyes
named after a dinosaur

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

ACCESS_DENIED: heart.exe

> Running diagnostics...

Emotional drive:
fragmented.

Accessing main directory:
/hope/memory/you

Status:
file: touch.exe — missing
file: laugh.wav — corrupted
file: promise.txt — overwritten
folder: trust/ — access denied

Attempting repair...
Error: permission denied.

System prompt:
“Feeling requires vulnerability. Proceed?”

User input:
...
Suggested action:
abort.

Some systems forget
how to open again.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

On the Death of a Queen

there is laughter like the ripples
when something dark breaks the water,
the laughter of children colliding
with the inert thigh of their mother
stood hollering,

there is the laughter of that discovery
of looking up at the mother’s face softening
and learning fear is a thing
you grow into
not out of,

there is the laughter of wind filling a sail
and two lovers’ hands on the tiller,
peacocks pluming and the dogs’ mistress returning
to a forest of tails around the hearse,
there is

the laughter of doors opened slowly by lovers
with a bottle in one hand and a lie in the other,
then the dark laughter of the same door closing some hours later,
the laughter of disbelief and crumbs in the bed,
there is

the laughter of the town crier drunk in the night
swaying under a lit window
where
the pert whisper of a curtain being drawn
seems louder than the tolling bells.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Scooch

The lower I scooch, the better the reception.
Like the signal’s intensity is what it is except
around me. We’re watching The Rockford Files
in my father-in-law’s recreational vehicle in a
private drive in Ft. Lauderdale, James Garner /
Jim Rockford handing out uber-macho lectures.
It’s 1980. I’m a new dad and reading Faulkner
for a class. I catch the politics of calling women
Honey. The woman in tennis whites has framed
Rockford for felony murder. Her navel, an innie,
packs loads of social import before its vanishing.
Arthur Dixon, my kind father-in-law, stands. He
steps to the antenna. Now he’s motioning Scooch,
Jim Rockford smart-mouthing his way to triumph,
the rest of our family inside the house or at church.
This evening, Arthur loves his battery-powered TV,
asks if I like Florida. I say, Positively, as Rockford
calls up William Faulkner in a ’74 Firebird Esprit,
skillfully spinning a steering wheel—like America
is okay just fine but you need to be willing to, well,
scooch down so you catch sight of the road ahead.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Pennypoker1919 to His Followers

Welcome to my playground sanctuary, friends/fans. This room is an extremely passionate and sensual place filled with mystery, desire, masculinity! I am permissive and open, live to be in front the webcam. Please play along and look at the bright side.

My tip menu, dears:

Send me 1 token lol if you enjoy * 2 if you love * 10 for flash my stuff *
30 foreskin massage * 60 explain you my 53 seduction tattoo in ethereal detail *
70 intellectual conversation * 100 special armpit entertainment *
200 open window for view of downtown Kharkiv * 250 confirm theory that I look like
Timothée Chalamet * 500 virtually you sniff my bushy base * 1000 body tour *
1,500 we listen to the air-raid sirens * 3,000 I ship my underwear to your door anywhere *
4,000 seven somersaults in city rubble * 5,000 after the bombs, watch dawn over Kharkiv *
6,000 I introduce you to my hamster * 8,000 intellectual conversation plus *

10,000 become the god of my castle * 20,000 we meet in Kharkiv, you and I, for a night
of body contact only * 40,000 I take you around on my motorbike and you hold me where you
have need to * 50,000 real life body tour + armpit entertainment + bike tour + intellectual
conversation * 100,000 roommate life with you in your country after the war, you house and clothe and feed me and teach me the language and bathe me + unlimited intellectual
conversation + armpit entertainment + long tongue games + every orifice explored + 20 new tattoos *

500,000 I read to you what genre book or mystery you desire, I wash your feet and go for your shopping, we marry, you explore every orifice + intellectual conversation + Maserati convertible + I clean, do house jobs and fixing + unlimited foreskin massage, hundreds of handstands and somersaults

**************1,000,000!************** I belong to you, my every orifice for your curiosity and whim, even after my passing of twink years and you pass into aged years, I feed you, clothe you, bathe you, nurse you and wheel you, and when you’re disappeared I arrange all and inherit all and bring flowers, whichever you command, and keep the earwigs out of vase by your headstone as long as I am able and forever, my love.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Breakout

As soon as you reach a hand through them,
the walls will dissolve. Work with
the window there, above your eye-level.
Even if you have to stand on your toes
until your arches throb, become
a part of what you see through the bars:

the alley where snow hangs on in smears
under bare trees, garbage trucks
pack the sodden refuse, and a grey-striped cat
skirts the puddle under a downspout.

Your window will enlarge until it replaces
the entire wall, and you will walk out whole.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Memory of Exodus

“Memory of Exodus” by Camille Hernandez

may / these / bones / hold fast / to the / ticking before the / quitting / we weren’t born a haunting / through numbing or rowdy melancholy / what we inherited meant to drown us / lungs ablaze we gripped / survival continuing as / prophetess spilling radiance / staving disaster determining fate / beyond an algorithm branch / few things are growing / faster from collapse / a dwarf star / uses its energy / before / imploding / our skin was / the night sky / containing / it

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.