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Poetry, Vol. 2 No. 1 Kevin Pilkington Poetry, Vol. 2 No. 1 Kevin Pilkington

Real Change

My cousin told me he found / Jesus, which was the easy part / since he couldn’t find his way / out of Brooklyn. Then this morning / it was so quiet you could hear / a cat walking. By noon the wind / kicked in making the trees swing / like Count Basie and the traffic / sounded like his horn section.

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Fiction, Vol. 2 No. 1 John Lyons Fiction, Vol. 2 No. 1 John Lyons

To Deserve

If you were to step inside Mary’s home, you would think to yourself that she is a person broken. Not that it was disorderly, not that it reeked of non-maintenance, not that there was rotting food and unclean clothes—but there might as well have been.

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Fiction, Vol. 2 No. 1 Ben McFry Fiction, Vol. 2 No. 1 Ben McFry

Reparated Tombstone

Weathered Army-store combat boots charging into the oblique night. Blind hands drag the monument loose off its footing, with a dull grind of stone on stone. Then the heaving. Fingers tucking under into the paste of dew and milled granite. The slab’s wet pressure on the chest. Those first feeling steps forward into the gloom.

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Poetry, Vol. 2 No. 1 Priscilla Atkins Poetry, Vol. 2 No. 1 Priscilla Atkins

Pea Notes

Hey, fancy this: Clyde Barrow had a thing / for sweet peas (creamed) and Buck’s wife / Blanche did shampoos and perms and cuts / at The Cinderella Beauty Shoppe in Denton.  / In Blanche’s My Life with Bonnie & Clyde, / written in prison, the juice is in the sides. 

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Fiction, Vol. 2 No. 1 Ken Harman Fiction, Vol. 2 No. 1 Ken Harman

Banished

I looked up at Nettie. Studied her sharply angled face, her high cheekbones, those autumn brown, almond-shaped eyes. Her dark skin glistened in the heat as we walked. She stared straight ahead, her eyes focused on some point far down the dusty dirt road.

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Fiction, Vol. 2 No. 1 Mike Burrell Fiction, Vol. 2 No. 1 Mike Burrell

Where the Wild Goose Goes

He figured he might not be able to fly like a goose, but he damned sure knew where the highway was. And one morning he would look over at the aging woman sleeping beside him and slip from her bed as quiet as a cat burglar. He’d pack his duffle, he’d take all the cash in the house, and he’d be down the road by sunrise, looking for something better, or at least something different, leaving nothing of himself behind save a few stray hairs and the imprint of his head on the pillow.

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Fiction, Vol. 2 No. 1 Roy Lowenstein Fiction, Vol. 2 No. 1 Roy Lowenstein

Buffalo Plaid

She wore the same dress they had given her for the funeral. Maybe it was bad luck to wear it when you visit someone in the hospital. The overheads bathed the hallway in soft light. While everyone spoke in hushed voices, her sneakers kept squawking on the vinyl floor. A man in baby-blue scrubs told her that Mr. Hutchinson was expecting her. He took the bouquet and observed that her backpack looked mighty heavy. She shrugged it away from him. He directed her to Hutchinson’s room. She glanced back and found him staring at her. 

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Fiction, Vol. 2 No. 1 Connie Draving Malko Fiction, Vol. 2 No. 1 Connie Draving Malko

Afterlight

When the telephone rang later than usual, Nora thought it would be her son, Charley. He’d forgotten to take home the extra pizza when he left earlier. Maybe he’d want to come by for it after he finished jogging.

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Poetry, Vol. 2 No. 1 Christian Chase Garner Poetry, Vol. 2 No. 1 Christian Chase Garner

To be a man

don’t sob at the sight of your grandfather’s ashes stored in a mausoleum for war veterans and husks of grandfathers that once loved but have since formed their hands into oysters.

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Visual Art, Vol. 2 No. 1 Brett Stout Visual Art, Vol. 2 No. 1 Brett Stout

Brett Stout

The art that I’m submitting has the basic overall theme of “creative destruction.” I’ve taken my own photographs that I mainly take while walking the streets of my town, while on vacation, or riding my bicycle late at night.

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Fiction, Vol. 2 No. 1 Anita Lo Fiction, Vol. 2 No. 1 Anita Lo

52 Pick-Up

Dad always said I didn’t have to pay him back for everything, but I knew that was a huge lie, the way that beautiful people wearing long wool coats say, “Sorry, no cash,” when I asked them if they want to see a card trick.

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