Self-Portrait

I don’t want to go to the neurologist, but my family insists something is wrong because I am rhyming words and predicting the weather. I knew my daughter-in-law would have an affair before my son because I watch Spanish soap operas, not for the Spanish lessons, but the expressions. Que lastima. What a pity my son is blindfolded to his wife’s wildness. I knew my husband would die without saying goodbye because he believed we would meet in the next life, but I know there is no afterlife, no meeting place where we can meet for a drink or two. I wish I could have told him nothing was as miraculous as that first day when he smiled at me and said I looked like Pocahontas. I wore braids then to keep my hair wavy, not curly. Now I let it just be curly. I let things be. The daughter-in-law. The son. The husband who won’t like my hairstyle. But he’s dead and, as I said, we are not meeting again. I know I repeat myself. But repetition is what makes certain songs stay in our minds. We repeat lyrics. Then find the words when we need to sing. I am singing now, but my family thinks I am off kilter, given to flights of fantasy, bereft of my marbles. I didn’t know they wanted a Betty Crocker mother who couldn’t carry a tune.

This piece was featured in Volume 4. Click here to explore other pieces from this issue.

JoAnna Scandiffio

JoAnna Scandiffio is a graduate gemologist living in San Francisco. Her poems are like bird nests, assembled with fragments randomly connected to capture the moment. Her work has appeared in Calyx, The Poeming Pigeon, Poets 11, The MacGuffin, Italian Americana, The RavensPerch, The Ekphrastic Review, and other journals. She is a Pushcart Prize nominee and a finalist for the Jane Underwood Prize. Her chapbook Water Is Never Still is available from Finishing Line Press.

http://www.joannascandiffio.com
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Braids and the Meaning of Life