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Nonfiction, Vol. 3 No. 2 Kim Bradley Nonfiction, Vol. 3 No. 2 Kim Bradley

Holy Door

It was late August, not a tree or lick of shade to be seen; the sapping heat pulsed like a demon. We made our way in a straight line toward the recreation room, a dreary concrete block building, as if we, too, were prisoners.

   “I was in prison and you came to visit me.”
   —Matthew 25:36

Stay on the sidewalk, the signs commanded, and we—my mother, my brother, and I—did, not that we were tempted in the very least to stray onto parched grass peppered with fire ant beds and sticky beggar lice and sand spurs. Towers loomed overhead like barbed-wire lighthouses, guards with rifles at the ready, a reminder of an unfathomable life at Tomoka Correctional Institution, a maximum-security facility in Daytona Beach. It was late August, not a tree or lick of shade to be seen; the sapping heat pulsed like a demon. We made our way in a straight line toward the recreation room, a dreary concrete block building, as if we, too, were prisoners.

Earlier in the stark security offices, we exchanged our car keys and iPhones for radios the size of the earliest of mobile phones. In the center of the bulky black boxes was an emergency button, and we were to affix these radios to our waists, but already mine wouldn’t clip properly; the clasp was broken. I clutched it like a walkie-talkie instead. Up ahead, at the sidewalk’s end, a heavy iron door opened, and the smiling face of a tall man in faded blues appeared, and then disappeared. A few feet up the sidewalk later, the door opened again, and before it closed, I saw that the man’s expression was that of a giddy boy at Christmas. It was such an unlikely emotion, so strange in this doomed landscape. I looked up at the armed towers, nervous. Was such joy even permitted here?

The chaplain accompanying us opened the iron door, and we stepped inside to a standing ovation, over a hundred prisoners applauding. We were at Tomoka to honor my late father, a decades-long volunteer who established a Toastmasters chapter there and ran it every Thursday. He’d passed away a month before. Next to me, the hulking, smiling gentlemen who orchestrated this surprise greeting, introduced himself as Jonathon. My father had represented him at a previous, unsuccessful parole hearing. Dad had spoken of him frequently, of how he deserved to be released, and how certain he was of his redemption despite his crime (he never revealed why Jonathon was serving a life sentence). I had never understood that idea, that someone who had committed such atrocious acts could be redeemed. Plus, wasn’t punishment the goal?

A photo of Kim Bradley's father with inmates at Tomoka Correctional Institution

Bradley’s father with inmates at Tomoka Correctional Institution, photographed by Marc Krevo

As he spoke of Dad’s Thursday visits, Jonathon did not stop grinning. “Bob gave me his undivided attention. When other guys wanted to talk to him, I said, ‘Wait a minute, he’s here to see me!’”

He lifted a worn square of paper from his shirt pocket, the creases evident. It was a note my dad wrote after Jonathon’s first Toastmasters speech. Dad was a pharmacist, his early career in the family drug store in Monroeville, Alabama. He later became a pharmaceutical salesman in Jacksonville and was assigned to a territory that included the Tomoka facility. There was a need at the prison, he learned from staff and doctors. The “guys,” as my Dad always referred to them, wanted to be part of something, something more than what the prison offered. As Dad was an eloquent speaker, the kind of man you hoped made the toast at your wedding or the eulogy at your funeral, he was the perfect person to fill that void. He used Toastmasters to help the incarcerated men find their voices.

Jonathon didn’t unfold the note for us—the advice on that sliver of paper was his and his only—but knowing my dad, it was surely uplifting and encouraging, with a teeny bit of constructive criticism. And to Jonathon, it undoubtedly represented one thing: hope. 

~

That was ten years ago. This year, 2025, is a Catholic Jubilee Year. Pope Francis announced that five holy doors in Rome would be opened, two of which he would personally oversee. These ornate doors are bricked up from the inside, and the breaking of the mortar symbolizes, like the ancient Jewish tradition Jubilee originates from, the release of prisoners, forgiveness of debts, and the restoration of harmony in the world. Catholics believe that all who enter pass through the presence of God. The first door was opened at St. Peter’s Basilica on Christmas Eve. The day after Christmas, a second was opened at Rebibbia New Complex Prison. Outside of the church community, this led to some headshaking. A prison? But Pope Francis, known for his outreach to city slums and AIDS victims, as well as for washing the feet of many prisoners, said, “I too, could be here.”

~

After the Memorial service, there was cake and coffee, and we were encouraged to mingle. The service had done a number on me. I wasn’t ready for mingling. I sat off to the side and focused on controlling my tears. A metal folding chair dragged behind me, and then a voice, “You got to stop that.”

I turned around to face a linebacker-sized man wearing mirrored sunglasses. Clearly he spent his allotted free time in the facility’s weight room. He lifted his shades to reveal red, swollen eyes. “Look at what you got me doing.” That made me laugh, and we talked and talked. “I loved your dad,” he said.

I thought that a splash of cold water on my face would help. Someone pointed me in the direction of the restroom, and I walked along the kitchen corridor by the leftover cake and coffee. At a counter, a man sorted through a stack of sketches. I recognized the artist’s style—a heavy crosshatch shading, a light stippling. One of his drawings—the regal head of a tiger—hung on the wall of my dad’s office. The man beamed with pride as he went through the sketches one-by-one. Faces with wide eyes, stern profiles, exotic animals, self-portraits. He selected an unfinished drawing, and deep in thought, leaned against the counter, and began a light crosshatching to make it complete.

I found the washroom and made myself as presentable as possible. The intensity of the day was enormous. If I could have walked out right then, I would have done so. But there were two men I still wanted to meet. Plus, I had no choice. This is an exaggerated comparison, but like the prisoners, I could not simply walk out just because I was tired and emotionally drained. I looked at myself, puffy eyes, head pounding. The cold water did not make me look any better. As I stepped out into the rec room, I was immediately stopped by a young man in his late twenties. “You read my story,” he said.

Years ago, Dad had given me a short story written in pencil on wide-ruled paper. I’d made notes in the margins and signed off with “Keep Writing.” The story was set in St. Augustine, where I live, and he had also lived as a teenager. It was a beautiful love story of a young girl who worked in a sweet shop—pralines, brownies, fudge—on St. George Street, the main pedestrian thoroughfare. As we chatted, I got the idea he wasn’t writing much anymore, so I encouraged him, noting that writing is hard work, and then I stopped myself. He knew hard work. Everything was hard here. What was I even talking about? Fortunately, he changed the subject, kindly asked what I was working on, but as I began, the iron door swung open, and a guard entered blowing a whistle. The room went silent, and without a word, every prisoner found a place, back against the concrete block. Each man was counted, another whistle was blown, and everyone went back—slowly—to what he’d been doing.

I noticed that the writer had positioned himself in the count line beside another young man. His friend looked so familiar—square jaw, dark eyes, a handsome face, a stocky build. I’d noticed him when we’d first arrived, and as the pair, heads together, went back for another round of cake, I strained to see the name on his breast pocket. I did know him, or knew of him. He was also from St. Augustine, and his face had been all over the news in the past few years. He’d been convicted of strangling his wife, leaving her on the beach, waves crashing over her. I watched him, now friends with the young writer; they had their heads together like teenage boys, laughing and palling around. I wondered if they had known each other in St. Augustine, or if their hometown had simply brought them together on the inside. They were like children joking and licking cake icing from their fingers. All around me there were small groups of men talking with my mom and brother, all like old friends or relatives. Collectively, in this room, there was an unbelievable past of horrific crimes and violence, yet there was happiness. Genuine happiness.

I asked around and finally found the two men I wanted to meet, dear friends of Dad’s—James and Jimmy. He spoke of them a lot, but as always, he never mentioned their crimes. Jimmy’s wife had passed away years ago, his grief causing the rage and crimes that had brought him to this place. He had a grown daughter on the outside, and grandchildren. I also knew that he had been very ill recently, but that day he wore an infectious smile. Jimmy was originally from Alabama, and a loyal Crimson Tide fan. My dad was an Auburn fan, and that heated collegiate rivalry had become the origin of their friendship. Jimmy had a folder in his hand, the kind you used in grade school to keep math separate from history, English from science. It was bright green and had been so well taken care of it looked brand new. “This is contraband. Anything you got in your cell,” he whispered. “They can take it away.” He offered the folder to me, as if he were an FBI agent. “Your dad gave me this.”

In the sleeve of the green folder was an orange and blue paper plate with the Auburn University logo. The table erupted in laughter. The week after Auburn beat Alabama in the Iron Bowl, Dad was there for the Toastmasters meeting. After speech practice, dessert was served, and Dad brought Jimmy a slice of pie on that plate. Jimmy thought it was the funniest thing. It was a long-running gag between the two of them, each trying to outdo the other, but clearly Dad won that time. Somehow Jimmy had managed to save the forbidden paper plate in his cell with that folder, passing it off as a document for years. Jimmy would later go on to be released earlier during COVID because of a cancer diagnosis. I often think of him sitting by his daughter’s screened-in pool, drinking coffee in the morning, free to enjoy it where and when he chose.

A photo of Kim Bradley's father doing yoga with an inmate at Tomoka Correctional Institution

Bradley’s father doing yoga with an inmate at Tomoka Correctional Institution, photographed by Marc Krevo

Though Dad also talked of James, it was more of his work on the inside, his yoga practice and meditation. I didn’t know much of his background or his family. He had severe blue eyes, a confident smile. As Jimmy and I talked SEC football, James had been mostly quiet. Now he looked around the room, and then back at me. “Is this what you thought it would be like?”

“No, it’s—” I said, struggling for the word. “Happier?”

He smiled and shrugged. “Well, in here, maybe. It’s not what it is out there.” He motioned toward the concrete block buildings that housed the dormitories. Some of the dorms could be violent and dangerous, he explained. The radio on my hip was uncomfortable and clumsy. Sometime during our conversation, I’d set it on the table. James motioned to it, and in a serious tone a reminder of where we truly were, said, “Better put that back on.”

“When you get home,” the chaplain told me as we were walking back down the sidewalk in a straight line, this time toward the security offices and the exit, “don’t search for these guys on the internet.” Of course, I would do exactly that. I fell down a rabbit hole at the state’s Department of Corrections site. I discovered their crimes—premeditated murder, armed robbery, assault with a deadly weapon—and then I stopped. I did not need to know the details of their crimes. There was no making sense of their past, no resolving who they were with the sympathy and kindness they had shown my family, and most of all, their respect and love for my dad.

~

On December 26, 2024, when Pope Francis arrived at the holy door of Rebibbia Prison, he stood from his wheelchair, took halted steps, and knocked on the ornate bronze door. It slowly opened, a gesture of easing open the doors of our hearts, and he passed inside. Despite its lack of beauty, I am reminded of that iron door at Tomoka, and the men behind it so many years ago, how they deserve what the pope refers to as an “anchor of hope.” I saw, if only for a few hours at Tomoka, how hope worked its magic—the look on Jonathon’s face, unencumbered by despair and loss, the creased note in his pocket, the Auburn paper plate in Jimmy’s green folder—all of this the outcome of those who have taken the time to bring hope to them.

~

When Michael was released, Dad was there when he walked out the prison door. He drove him to Jacksonville to a family member’s home, first stopping at Walmart where they shopped and purchased new clothes and supplies for Michael to get him started on a new life. Over the years, they had a regular lunch date and talked frequently.

The aneurysm that took my father’s life was not instantaneous. His brain was gone, but his body held on for days. He was a runner, a swimmer; his lungs were strong. He was simply not ready to go, therefore there was time for those who wanted to say goodbye. Michael was one of the first people my mother phoned. While he promised to come to the hospice facility, days went by, and we had not heard from him. One evening, just after sunset, there was a knock at the door.  A black man, well over six-feet-tall with gold teeth and a worn leather Bible in his hands entered the room. He had an infectious smile. He came to the end of the bed, took my father’s feet in his hands. With the voice of a poet, he sang out, “My main man, my superman, my Hall of Fame.”

Three hours later, deep into the night, my dad slipped away quietly. I like to believe that Michael ushered him through that portal.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

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Poetry, Vol. 3 No. 2 Lynn D. Gilbert Poetry, Vol. 3 No. 2 Lynn D. Gilbert

Breakout

As soon as you reach a hand through them, / the walls will dissolve.

As soon as you reach a hand through them,
the walls will dissolve. Work with
the window there, above your eye-level.
Even if you have to stand on your toes
until your arches throb, become
a part of what you see through the bars:

the alley where snow hangs on in smears
under bare trees, garbage trucks
pack the sodden refuse, and a grey-striped cat
skirts the puddle under a downspout.

Your window will enlarge until it replaces
the entire wall, and you will walk out whole.

This piece was featured in Volume 3, Issue 2. Click here to explore other pieces from this issue.

Read More