Allow me to run from America and, if it be Your will, / Have Germans roll out their welcome mats / As America opened her arms to my parents / When they escaped Berlin in the ’30s.
Don didn’t care if it would storm. They were here to fish, he and his son, and they needed a break in their luck. Yesterday was merciless, snags and empty stringers. The other fishermen, however, caught more Walleye than they bothered to count.
"Draw me a mermaid, Mommy." “Okay,” I answer my two-year old daughter. She watches me outline the figure in pencil on pink construction paper. The mermaid turns out to be feminine, unashamed of her bare breasts, and ready to swim in a dangerous ocean. I envy her.
stay kin stay kin stay kin stay kin / stay kinder to myself stay kinder to myself stay kind stay alive / I want to stay kind I want to stay alive I want to stay kind I want to stay alive I want to / stay alive stay kind stay be alive be kinder to myself be kinder to myself
This is not Minoo’s first visit to the Caspian seashore. She has been here one other time, when she was a child of nine or ten. During that trip, she went with her mother to the women’s part of the beach, and they went into the sea together.
What did she have to be so boisterous about, I thought, furiously. She was fat and out of control, and it was easy to make fun of her. I wrote a mocking modern tale about a loud-mouthed woman in Los Angeles who sold real estate, like my mother did at the time. I got a good grade, and I proudly shared it with her. God forgive me.

A discussion between guest fiction editor Mary McMyne and Jennifer Givhan about her new book Salt Bones.
The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.


Recent Publications
Allow me to run from America and, if it be Your will, / Have Germans roll out their welcome mats / As America opened her arms to my parents / When they escaped Berlin in the ’30s.
Don didn’t care if it would storm. They were here to fish, he and his son, and they needed a break in their luck. Yesterday was merciless, snags and empty stringers. The other fishermen, however, caught more Walleye than they bothered to count.
"Draw me a mermaid, Mommy." “Okay,” I answer my two-year old daughter. She watches me outline the figure in pencil on pink construction paper. The mermaid turns out to be feminine, unashamed of her bare breasts, and ready to swim in a dangerous ocean. I envy her.
stay kin stay kin stay kin stay kin / stay kinder to myself stay kinder to myself stay kind stay alive / I want to stay kind I want to stay alive I want to stay kind I want to stay alive I want to / stay alive stay kind stay be alive be kinder to myself be kinder to myself
This is not Minoo’s first visit to the Caspian seashore. She has been here one other time, when she was a child of nine or ten. During that trip, she went with her mother to the women’s part of the beach, and they went into the sea together.
What did she have to be so boisterous about, I thought, furiously. She was fat and out of control, and it was easy to make fun of her. I wrote a mocking modern tale about a loud-mouthed woman in Los Angeles who sold real estate, like my mother did at the time. I got a good grade, and I proudly shared it with her. God forgive me.
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2025 Poetry Chapbook Prize Winner
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Podcast, Reviews, & Features
A discussion between guest fiction editor Mary McMyne and Jennifer Givhan about her new book Salt Bones.
The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.
The work of literary translators has often gone unrecognized—unless it is a bad translation. According to an article in a University of California Press journal, Global Perspectives, which cited a study of New York Times book reviews between 2008-2021, the portion of translated works as a percent of the US publishing market may have crept up to five percent. [1] This is a pitifully small percentage.