High-Beams

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Feature Elizabeth Mathews Feature Elizabeth Mathews

The Craft of Translating Fiction

The work of literary translators has often gone unrecognized—unless it is a bad translation. According to an article in a University of California Press journal, Global Perspectives, which cited a study of New York Times book reviews between 2008-2021, the portion of translated works as a percent of the US publishing market may have crept up to five percent. [1] This is a pitifully small percentage.

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Feature James Whorton Jr. Feature James Whorton Jr.

Flow of Words

A pocket is a useful tool for writing because you can carry a pocketknife in it, which is good for sharpening your pencil. The pencil as a tool for writing has never been topped, as far as I know. It is cheap, and it is readily available. It is portable. It doesn't require Wi-Fi, and it doesn't have a noisy fan. It doesn't ask you to take a moment to fill out a brief survey. It doesn't ask you to like it.

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Feature John Henry Fleming Feature John Henry Fleming

I Didn’t Write This

Drafting is the struggle to write like yourself and read like someone else.

The “write like yourself” part sounds easy until you become a writer. You’ll find it takes years of chipping away at a block of granite to find the authentic writer-self within.

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Feature Robin Silbergleid Feature Robin Silbergleid

Interrupted, An Essay in Fragments: Or, Write Like a Mother

I have emailed and texted myself when I have an idea and my phone, but not a piece of paper and pen. What I like best is the moment when the kids are at school, and I sit in my brown reclining chair with a cup of coffee and maybe a cat next to me, or somewhere nearby, and I have time to think deep thoughts. Those days are rare and precious.

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