once, you said everything keeps moving until something stops it / so I wonder if it was time that slowed us / or the quiet between what we meant and what we said
Containment percentages, mass layoffs, budget shortfalls, 9-1-1 hold times: The sinkhole felt like another in a long list of calamities we’d learned to accept.
“Make me a promise,” she said to him when they were lying in bed, although it was not night, and he said, “What promise?” and she said, “You shouldn’t have to ask.”
with the only music of the morning traffic, those who must rise to drive to labor, and a window often curtained and closed, and in winter, the radiator hissing, the kind from another century, the kind you must be careful or it will burn you.
There is a prequel and a sequel, then the cataclysm returns to its chrysalis, an odorless and colorless but very viscous liquid. It's been nanoseconds since my last deathbed confession.
Rain or shine, goldfinches light up my day with their bubbly chatter. Unless they perceive a threat then they turn stone quiet.
The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.
There’s so much about Jenny Erlingsson you don’t know. That’s probably because she’s a freshly minted novelist, author of the 2024 contemporary fiction title Her Part to Play. Before the book’s summer 2024 release, you would have needed to travel to Iceland to bump into Erlingsson in person, or you would have needed to be a part of her Milk and Honey collective of women writers.
A discussion between guest fiction editor Mary McMyne and Jennifer Givhan about her new book Salt Bones.
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once, you said everything keeps moving until something stops it / so I wonder if it was time that slowed us / or the quiet between what we meant and what we said
Containment percentages, mass layoffs, budget shortfalls, 9-1-1 hold times: The sinkhole felt like another in a long list of calamities we’d learned to accept.
“Make me a promise,” she said to him when they were lying in bed, although it was not night, and he said, “What promise?” and she said, “You shouldn’t have to ask.”
with the only music of the morning traffic, those who must rise to drive to labor, and a window often curtained and closed, and in winter, the radiator hissing, the kind from another century, the kind you must be careful or it will burn you.
There is a prequel and a sequel, then the cataclysm returns to its chrysalis, an odorless and colorless but very viscous liquid. It's been nanoseconds since my last deathbed confession.
Rain or shine, goldfinches light up my day with their bubbly chatter. Unless they perceive a threat then they turn stone quiet.
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2025 Poetry Chapbook Prize Winner
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The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.
There’s so much about Jenny Erlingsson you don’t know. That’s probably because she’s a freshly minted novelist, author of the 2024 contemporary fiction title Her Part to Play. Before the book’s summer 2024 release, you would have needed to travel to Iceland to bump into Erlingsson in person, or you would have needed to be a part of her Milk and Honey collective of women writers.
A discussion between guest fiction editor Mary McMyne and Jennifer Givhan about her new book Salt Bones.

