It was the weft and wop of the weave, pulled / over my knee, muscles and tendons that / repaired my split thigh, a pattern, the surgeon said, / a kind of living fabric that carries me forward,
The copperhead slithers along without bending / Its spine. The ridges on its underside are like / boot treads. / That was the example I was using / Until he thought I was calling him a snake.
There is a stretch of the most precious time in the mornings, after your husband has gone to work, when the baby wakes up and you feed her and she falls asleep on your chest, her small arms holding your torso, their full length barely reaching the edges of your back.
once, you said everything keeps moving until something stops it / so I wonder if it was time that slowed us / or the quiet between what we meant and what we said
Containment percentages, mass layoffs, budget shortfalls, 9-1-1 hold times: The sinkhole felt like another in a long list of calamities we’d learned to accept.
“Make me a promise,” she said to him when they were lying in bed, although it was not night, and he said, “What promise?” and she said, “You shouldn’t have to ask.”
The Headlight Review is thrilled to announce the finalists for our 2025 Anthony Grooms Short Fiction Prize.
The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.
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It was the weft and wop of the weave, pulled / over my knee, muscles and tendons that / repaired my split thigh, a pattern, the surgeon said, / a kind of living fabric that carries me forward,
The copperhead slithers along without bending / Its spine. The ridges on its underside are like / boot treads. / That was the example I was using / Until he thought I was calling him a snake.
There is a stretch of the most precious time in the mornings, after your husband has gone to work, when the baby wakes up and you feed her and she falls asleep on your chest, her small arms holding your torso, their full length barely reaching the edges of your back.
once, you said everything keeps moving until something stops it / so I wonder if it was time that slowed us / or the quiet between what we meant and what we said
Containment percentages, mass layoffs, budget shortfalls, 9-1-1 hold times: The sinkhole felt like another in a long list of calamities we’d learned to accept.
“Make me a promise,” she said to him when they were lying in bed, although it was not night, and he said, “What promise?” and she said, “You shouldn’t have to ask.”
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2025 Grooms Prize Finalists Announced
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Feminine Morbidity chapbook out now!
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Podcast, Reviews, & Features
The Headlight Review is thrilled to announce the finalists for our 2025 Anthony Grooms Short Fiction Prize.
A review of The Natural Order of Things (Graywolf 2025) by Donika Kelly.
The Headlight Review is thrilled to announce that the winner for the 2025 Poetry Chapbook Prize is: Feminine Morbidity by Maya Williams.
There’s so much about Jenny Erlingsson you don’t know. That’s probably because she’s a freshly minted novelist, author of the 2024 contemporary fiction title Her Part to Play. Before the book’s summer 2024 release, you would have needed to travel to Iceland to bump into Erlingsson in person, or you would have needed to be a part of her Milk and Honey collective of women writers.

